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Concert Review: Glixen, Trauma Ray, April 24, Hard Luck Bar

Posted on
26 Apr 2026
by
Paul

“Dance a little bit.”

Those are not words one necessarily expects to hear at a shoegaze concert, but that’s exactly what Glixen lead vocalist Aislinn Ritchie said to the crowd at Hard Luck Bar on Friday night. And while it’s true that shoegaze might not be the first genre that comes to mind when you think dance music, Glixen did indeed get the crowd moving.

For anyone who remembers shoegaze the first time around, it’s interesting to contrast the new school with the OG shoegazers. One obvious difference is modern shoegaze’s metallic tendencies, with a lot of the younger bands indebted just as much to acts like Deftones as they are to MBV or Slowdive. One other significant difference I observed while watching Glixen and their tourmates Trauma Ray on Friday – not all that much actual gazing at their shoes.

For their part, Trauma Ray had a relatively chill and unassuming stage presence, content to bang their heads and rock out while cranking out some heavy, hazy riffs, though they did call the crowd out at one point for not quite cheering loud enough when they gave a shout out to opening acts Knifeplay and Her New Knife: “This is a sold-out show and I only heard like, 30 of y’all cheering.” Running through most of their recently released Carnival EP as well as a few off of last year’s Chameleon, Trauma Ray inspired a few mosh pits over the course of their set.

“We missed you,” said Ritchie as Glixen took to the stage, noting that this was their third time in Toronto. The crowd, in turn, were happy to have them back, while the band seemed pretty hyped up to be playing before a rather packed house. In fact, for much of their show, Ritchie was all smiles, a contrast to the band’s dense, sludgy guitar work. Definitely feeding off the crowd’s energy, Glixen put on an impressive show – the combination of crushing guitars and Ritchie’s light, ethereal vocals hit with real force.

Song of the Day: Earth Tongue – Orbit of a Witch

Posted on
21 Apr 2026
by
Paul

“Orbit of a Witch” is the most recent single from New Zealand heavy psych duo Earth Tongue, taken off their latest album Dungeon Vision, out now on In the Red Records. Check it out.

Concert Review: Sons of Butcher, B.A. Johnston, April 18, The Baby G

Posted on
20 Apr 2026
by
Paul

Those with a long memory on the subject of Canadian animated TV shows will likely remember Sons of Butcher, the Teletoon series that ran for two seasons back in 2005 and documented the exploits of a band that also owns a Hamilton butcher shop. And though the show didn’t last all that long, the band that it spawned has had a surprisingly long career – not only have Sons of Butcher made it past the 20 year mark, they even released a new EP last month, Skids, which the band describes as “our ode to living the Skid lifestyle in the heart of Steeltown.”

Keeping with the butcher theme, the band played its fair share of meat-themed tunes such as “Beef & the Chicken” and “Makin’ Bacon” during their high energy set, alongside fan favourites like “Fuck the Shit” (which, according to frontman Trevor Ziebarth, has a million plays on Spotify), “We Fuckin’ Rule,” and of course, “Sons of Butcher Theme,” all of it delivered with the proper big, dumb rock ‘n’ roll attitude and absolutely zero subtlety. Steeltown skids represent!

Steeltown skids were indeed well represented on Saturday night as the band was playing alongside fellow Hamiltonians Thunderkok and B.A. Johnston. And while Sons of Butcher had a contingent of dedicated fans in attendance, there’s no question that for many, B.A. was definitely the main attraction.

Taking to the stage, as he always does, to the strains of “Werewolves of London,” B.A. put on a typical B.A. Johnston show. And I do mean typical – Johnston is definitely a creature of habit, playing more or less the same setlist and even telling the same jokes and doing the same bits at every show, including his now classic routine where he asks if the audience minds if he takes of his “What Are You Looking at, Dickhead” sweatshirt, only to reveal an identical shirt underneath, and later revealing yet another “Dickhead” shirt as he asks the crowd, “Who saw that coming? Everyone saw that coming?” He even teased the crowd at one point with the promise of a new song, only to pull a bait and switch as he launched into the classic, “Deep Fryer in My Bedroom.” He did actually play a new song later in the set though, “The Girl Who Won’t Stop Talking Stopped Talking to Me,” taken off a new album that’s due out later this year.

Johnston ended the show by stepping outside to perform the final song of the set, “I Want to Drink in a Bar with Aliens,” unplugged and in front of the venue, perfectly capping off a solid evening of entertainment from Steeltown’s finest. Who saw that coming? Everyone saw that coming.

Song of the Day: Hush – Funhouse

Posted on
15 Apr 2026
by
Paul

Ahead of next month’s release of their debut album Phasing, Montreal psych/dream-pop trio Hush have released their latest single “Funhouse.” Check it out below.

Phasing is out May 22nd via Simone Records.

Song of the Day: They Might Be Giants – Get Down

Posted on
14 Apr 2026
by
Paul


They Might Be Giants make their return today with The World is to Dig, their 24th studio album and first since 2021’s Book. Check out the video below for their latest single off the album, “Get Down.”

Song of the Day: Lucid Express – Promise Me

Posted on
13 Apr 2026
by
Paul

“Promise Me” is the latest single from Hong Kong shoegazers Lucid Express, taken off their new album Instant Comfort, released back in February of this year.

Having seen the band in concert at SXSW last month, I can confirm that Instant Comfort is a fairly apt album title as there is indeed something quite comforting about the band’s hazy, dreamy sound, both live and on record. Check out the video below for “Promise Me.”

Instant Comfort is out now on Kanine Records.

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