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Song of the Day: Fatoumata Diawara – Sigui

Posted on
1 Jun 2026
by
Paul

“Sigui” is the latest single from Malian singer-songwriter Fatoumata Diawara, taken off her upcoming album Massa, out June 5th on Nø Førmat. Check it out.

Concert Review: Cat Clyde, May 30, Horseshoe Tavern

Posted on
31 May 2026
by
Paul

“Holy heck, Toronto, how the heck you been?” said Cat Clyde near the outset of her Saturday night set at the Horseshoe Tavern, as she and her band closed out their current run of dates across Canada and the U.S.

“We’re so stoked to be here,” she added. “It’s been a long road. Longer than I have words for.”

One audience member shouted back, “We’ve got time!” And while I’m glad she focused on playing some tunes rather than giving us a complete rundown of how the tour went, he was right in one regard: this crowd definitely had time for Cat Clyde.

Following a brief instrumental intro from her band (a crew of mostly heavily moustachioed gentlemen), Cat Clyde took to the stage and ran through an entertaining set that focused largely on her latest release, Mud Blood Bone. Of the new stuff, tracks like “Where Is My Love,” the hard driving “Wanna Ride,” and her cover of the old Marty Robbins tune “My Love” stood out. Other highlights included “The Gloom” from 2023’s Down Rounder and her duet with opener Joe Abbott (whose appearance onstage upped the moustache quotient even further) on “You’ll Never Know My Heart,” a duet off of his new album.

Another big highlight? That voice.

Yes, Cat Clyde has a remarkably strong and impressive singing voice and she showed off her range throughout the set, going from a warm, soulful, bluesy bellow to a full-on Wanda Jackson-esque rockabilly growl, sometimes within the same song. On her cover of The Beatles’ “Yer Blues” later in the set, she even approached Live Through This-era Courtney Love levels of ferocity near the end. Musically, Clyde takes inspiration from folk, country and blues, resulting in a sound that seems somehow timeless.

While Cat Clyde remarked early in the evening about what a long road it had been, nothing about the performance suggested a band running on fumes at the end of a lengthy tour. Quite the opposite. This was a band that seemed energized by the road, putting on a tight and compelling performance before a packed room at the Horseshoe and ending their tour on a high note.

Song of the Day: Quicksand – Crystallize

Posted on
28 May 2026
by
Paul

“Crystallize” is the latest single from Quicksand, taken off the NYC post-hardcore band’s upcoming fifth full-length album Bring on the Psychics, out July 17 via Equal Vision Records. Check it out.

Song of the Day: Panic Shack – grin & bear it

Posted on
20 May 2026
by
Paul

Photo Credit: Panic Shack

Welsh five-piece Panic Shack made a few waves earlier this year, garnering some attention back in March after playing a whole bunch of shows during SXSW. And now, the Cardiff-based quintet will soon be heading back to North America for a series of tour dates next month that sees them hitting Toronto’s Hard Luck Bar on June 16.

On top of that, they’ve also got a handful of summer festival dates lined up before crossing the Atlantic yet again to play a few shows opening up for The Sex Pistols in September. So, yeah, it’s safe to say they’ll be keeping busy in the coming months.

“grin & bear it” is the band’s latest single. Check it out below.

Song of the Day: Las Robertas – All We Need Is Now

Posted on
15 May 2026
by
Paul

“All We Need Is Now” is the latest single from Costa Rican band Las Robertas, taken off their upcoming album of the same name, out June 26 via Kanine Records. Check it out.

Concert Review: The Scratch, May 13, Lee’s Palace

Posted on
14 May 2026
by
Paul

There’s more than enough bands out there fusing together the traditional sounds of Ireland with high energy punk rock, but when it comes to mashing up metal and Irish music, that’s a bit less common.

I guess Thin Lizzy kind of went there to an extent and there’s probably a few others (no, Celtic Frost definitely doesn’t count), but Dublin-based band The Scratch seem to be one of the more prominent examples, releasing three full-lengths since their formation in 2016 and making a name for themselves on the strength of their rowdy live shows. They even recently caught the attention of Anthony Fantano, who dubbed them “one of the more unique acts I’ve heard coming up in metal at the moment,” so they’ve got that going for them.

And while I’ll admit that, going in, I wasn’t quite sure how this was all going to play out in concert, the second The Scratch stepped onto the stage, it was clear this was going to be a good one. The packed house at Lee’s Palace was already very clearly on their side, and the band came out with such energy and enthusiasm that it was almost impossible to deny. Live, The Scratch’s blend of chunky metallic riffs and “trad music night at the pub” vibes makes for a potent concert experience.

Taking to the stage after a lengthy intro track (which they later admitted was not the one that was meant to be played), the Dublin quartet went on to put on a very engaging and energetic show. Touring behind their latest, Pull Like A Dog, The Scratch ran through highlights off the new album like “Gladrags” and the title track alongside older numbers like “Old Dog” and “Another Round,” inspiring numerous audience singalongs along the way.

One other thing they inspired? Barking.

Yes, due to the fact that their latest album has the word “dog” in the title, the band noted that they’ve seen a few instances of audience members barking at them on the current tour, but that the Toronto crowd was among the most prodigious of barkers. They even offered to name it in our honour: “The Toronto Bark.” We’ll have to wait and see if that catches on. In the meantime, check out The Scratch in concert if you get the chance – they’re like the cast of Hardy Bucks gone rock ‘n’ roll.

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