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Concert Review: Kacey Musgraves, August 24, Scotiabank Arena

Posted on
27 Aug 2026
by
Paul

On Monday night, Kacey Musgraves took to the stage at Scotiabank Arena for the second date of her Middle of Nowhere tour, welcoming the Toronto crowd with a simple instruction: “The only rules for the middle of nowhere … well I guess there are no rules.” Except, she added, “Don’t be an asshole and have a really good time.” And sure enough, a good time was had by all and there was nary an asshole in sight.

Not that Musgraves hasn’t had her run-ins with assholes, the most recent example being when she ruffled some feathers amongst some of the terrible people of the internet a few days ago. If you hadn’t heard, some folks got upset that Musgraves dared to ask people to have a little compassion when she encouraged fans at her opening night show in Chicago to donate to a nonprofit helping immigrant children. Of course, I’m sure no one actually in attendance that night was terribly bothered by such a request – if that show was anything like this one, there were likely nothing but good vibes.

Those good vibes were evident even before the show had started, as the notes of AC/DC’s “Back in Black” rang through the arena, with a countdown clock marking down the minutes until Musgraves and her band took to the stage, kicking things off with “Everybody Wants to Be a Cowboy.” From there, the hits kept on coming, with a setlist that featured most of the tunes off Middle of Nowhere alongside older tracks like “Butterflies,” “High Horse” and “Follow Your Arrow.” She even threw in a couple of covers for good measure: a lively rendition of the Texas Tornados’ “Hey Baby (Que Pasó)?” and her set-closing version of George Strait’s “All My Ex’s Live in Texas,” rewritten from a female perspective. One of the most memorable moments, however, came in the form of a very unique stage prop. Or, technically speaking, two props.

“It takes a lot of balls to do what we do up here every night … really big, asymmetrical balls,” said Musgraves as a giant pair of testicle-shaped disco balls emerged for her performance of “Rhinestoned” – surely one of the most unique pieces of stage setting I’ve ever encountered. She then proceeded to float above the stage atop those disco balls for the duration of the song, as if she were on a slightly NSFW version of the CNE’s Sky Ride.

At one point in the set, Musgraves noted that she’s been doing this for a while now and that she’s been performing classic country since she was a young kid. She went on to explain how she appreciates that she also gets the chance to venture out into whatever other musical directions she chooses and that her audience is willing to comes along for the ride with her. Of course, the fact that she’s a talented singer, songwriter, and performer makes it pretty easy to follow her on whatever musical journey she takes. Even if that journey includes a pair of giant, shiny balls.

Song of the Day: Gently Tender – Don’t Sleep

Posted on
26 Aug 2026
by
Paul

Photo Credit: Holly Whitaker

A little over a decade ago, UK indie rockers Palma Violets made some waves with their debut album 180 and its follow up, Danger in the Club. Every now and then, I still give their biggest single “Best of Friends” a spin, but it wasn’t until recently that I learned that former members of Palma Violets have since gone on to form another band.

That band, Gently Tender, will soon be releasing their sophomore album, This Was Once Fields, and yes, I suppose it’s entirely on me for not paying attention and completely missing out on that first album (2022’s Take Hold Of Your Promise!). But it’s too late to look back now – on to album #2 it is. Gently Tender’s latest single “Don’t Sleep” is a bit more mellow and breezy than the sounds of Palma Violets, but no less compelling. Check it out below.

This Was Once Fields is due out Friday, October 16 via TODO Records.

Concert Review: BTS, August 23, Rogers Stadium

Posted on
26 Aug 2026
by
guestwriter

This past weekend, BTS performed two nights in a row at Rogers Stadium as part of their Arirang World Tour. The crowd was absolutely hyped for their return, and the show did not disappoint. The setlist was a beautiful mix of songs from their Arirang album and their older music, with the tempo shifting between songs to create dynamic pacing.

The visuals matched each song so well. The use of flowy fabric in “Body to Body” was a nod to traditional Korean dance, while the same fabric was used to depict waves in “Swim.” In contrast to these smooth movements, the use of lights and fire during “Hooligan” and “FYA” got the crowd dancing and jumping.

The playful interactions between the members made the show feel like you were hanging out with some friends. During “Butter,” members Jin, Jungkook, and V started a playful water fight sequence, entertaining their fans and bringing some chaotic energy to the performance.

When DJ Spin surprised fans with “00:00” and “Tear,” watching the members interact with the Army made the show feel more intimate. The 360-degree stage further added to this intimacy, with the rotating stage allowing the audience to see each of the band members without feeling that their view was obstructed.

If I had to describe the concert in one word, I would say it was dynamite.

– Genny

Concert Review: Deep Purple, August 18, RBC Amphitheatre

Posted on
19 Aug 2026
by
Paul

Today, Deep Purple lead singer Ian Gillan celebrates his 81st birthday, but last night, Gillan and his bandmates spent his last evening as an 80-year-old playing to a crowd of fans young and old (though mostly old) at RBC Amphitheatre.

Fittingly, Gillan was wearing a t-shirt that read, “TOO LATE TO DIE YOUNG.” A humorous phrase poking fun at the trope of the rockstar who lives fast, dies young, and leaves a beautiful corpse, sure, but it also got me thinking seriously about the whole idea of aging in rock music. Is there a cutoff point for rocking? Can one be too old to rock and roll?

Deep Purple first got their start way back in 1968, with three of the current members (Gillan, drummer Ian Paice, and bassist Roger Glover) having been in the band since the late 1960s. Keyboardist Don Airey, a few years younger than the others, has been in the band for over 20 years. Meanwhile, “new guy” Simon McBride, a relatively young 47 years old, has been playing in bands since the ’90s before taking on his current role as Deep Purple’s guitarist in 2022. So, no, none of them are new to the game. And though the band did call their 2017 tour “The Long Goodbye,” the fact that they’re still touring and putting out new records nearly a decade later suggests that Deep Purple has no interest in saying goodbye any time too soon.

And really, why should they? If they’re still enjoying it, and the fans still want to see them do it, why not keep it going? And truly, Deep Purple still puts on a solid show. Opening with “Highway Star,” one of the more hard-driving songs in their repertoire, Gillan and co. started things off strong, proving that these old-timers still have plenty of gas left in the tank.

Touring behind their latest release, the questionably named SPLAT!, the band of course played a few numbers off the new album. And while it’s true that no one goes to see a legacy classic rock band live in order to hear the new stuff, the new stuff is better than it needs to be, with “Arrogant Boy” and the instrumental “Guinnesis” standing out as some of the highlights alongside classics like “Space Truckin'” and their signature tune, “Smoke on the Water.”

Sure, Ian Gillan may not quite be belting it out like he did back in 1970 when Deep Purple recorded “Child in Time,” but for a man in his 80s, he’s sounding pretty good. The same can’t be said for every aging rock vocalist. And the band still sounds great, with McBride and Airey in particular getting the chance to show off their chops as each got a chance to take a solo turn during the set. McBride’s integration of a snippet of Rush’s “Spirit of Radio” into his solo was especially appreciated.

While rock music has traditionally been seen as a young person’s game, there is also something to be said for experience and after decades on the road, Deep Purple have plenty of that. Too late to die young? OK, but not too old to rock.

Song of the Day: Yoo Doo Right – Doldrums, Doldrums, Eviler Than the Devil

Posted on
18 Aug 2026
by
Paul

“Doldrums, Doldrums, Eviler Than the Devil” is the latest single from Montreal psych/post-rock trio Yoo Doo Right, taken off their upcoming album Build and Rest by the Shepherd’s Light, out November 6 via Mothland. Check it out.

Song of the Day: Las Robertas- Running Free

Posted on
24 Jul 2026
by
Paul

Just last month, Costa Rican indie/psych rockers Las Robertas released their fifth full-length studio album All We Need is Now. “Running Free” is the latest single off the album, released right before the band hits the road for a brief European tour that sees them playing several dates across France and Spain.

All We Need is Now is out now via Kanine Records. Check out the video for “Running Free” below.

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