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Concert Review: Wolves of Glendale, September 7, Adelaide Hall

Posted on
9 Sep 2026
by
Paul

Even before Wolves of Glendale took to the stage at Adelaide Hall on Monday night, the irreverent tone for the night had already been set by snippets of pre-show Wolves-related trivia on screen, with questions like “What is the band’s favorite film about wolves? (Answer: Teen Wolf, because “he friggin’  dunks”). Not that the audience really needed any prepping before the show – this was a crowd that was clearly ready for the band’s particular brand of comedy rock. That much was clear from the massive cheers only two songs in after the trio finished playing “Reptile Guy” off their latest album, Go to the Woods!

“We’ve been waiting to come back to Toronto for so long. Because of this,” came the response from the band as they reminisced about how great the crowd was the last time they played Toronto, at the now-shuttered Velvet Underground.

As someone who grew up loving Weird Al Yankovic and memorizing the lyrics to songs like “Melanie” and “You Don’t Love Me Anymore,” it’s easy to see the appeal of Wolves of Glendale. Much like Weird Al, the band has a talent for ramping up its storytelling to the most absurd levels. It’s something that likely works best on first listen – after all, once you get over the initial shock of hearing songs like “Vapin’ in Vegas” or “The Gym” for the first time, they’re still funny, but not quite as funny as they were that first time around. On the other hand, there’s something to be said for a room full of people singing their favourite lyrics at the top of their lungs back to the band. That communal experience is what live music is all about, after all. And there was no shortage of crowd-interaction moments at this show to help make the night memorable. And to give the band a chance to show off their improv chops, both musically and comedically.

One such moment came after “Vote Gus,” the band’s treatise on why Americans should just elect a baby skunk as president because, “Who gives a fuck?” Once the song ended, the crowd kept things going with an impromptu chant of “Gus! Gus! Gus!” The band then morphed the chant into the beginnings of some kind of proto-metal jam, as drummer Eric Jackowitz started busting out some high-pitched vocals that, as his bandmate Tom McGovern pointed out, sounded a bit like King Diamond. This then turned into a bit as the band joked about Jackowitz’s new band, Laughing Witch.

The band would then go on to improvise a song about horse masks after a group of fans donned them during the band’s performance of “Ricky,” as well as another about what guitarist Ethan Edenburg might look like with a dog tail after spotting a pair of fans wearing custom-made T-shirts, dog ears, and a dog tail. That particular look was inspired by “Olivia,” the tune that would close out the band’s set. Telling the story of a man who eventually falls in love with the ghost who lives with him and setting it to the sounds of smooth ’80s MOR rock, the song eventually culminates in the refrain, “Sacrifice a puppy for love, you gotta sacrifice a puppy for love!”

It’s perhaps the perfect exemplar of what a Wolves of Glendale song is all about: taking an absurd premise, committing to it completely, and somehow turning it into a singalong anthem. Just make sure you stop yourself from singing those lyrics to yourself as you exit the venue and make your way home, or you might get some troubled looks from passersby.

Song of the Day: TVOD – Bottomless Pit

Posted on
8 Sep 2026
by
Paul

Next month, NYC punks TVOD return with their sophomore album, The Farm. “Bottomless Pit” is the latest single off the album, out October 16, 2026 via Mothland & Get Better Records. Check it out.

Song of the Day: MX LONELY – March 16th

Posted on
7 Sep 2026
by
Paul

“March 16th” is the latest single from NYC-based band MX LONELY, off their upcoming EP Perfect House, out Oct 2nd, 2026, via Julia’s War Recordings. Check it out.

Song of the Day: Black Doldrums – Compulsion

Posted on
31 Aug 2026
by
Paul

“Compulsion” is the latest single from London post-punk trio Black Doldrums, taken off their upcoming album Repetition Compulsion, out November 13 via Fuzz Club. Serious Joy Division vibes on this one. Check it out.

Concert Review: Quicksand, Bane, August 29, East End United

Posted on
30 Aug 2026
by
Paul

One might assume that most veteran acts who’ve been around for 30-plus years would balk at the idea of playing a sweaty show in a church basement, on a stage set up in a gymnasium underneath a basketball net. Quicksand and Bane are not most acts. 

Rather, each band seemed a little stoked, maybe even energized, to be revisiting their roots as they played a good, old-fashioned hardcore show in a rec centre. Near the beginning of their headlining set, Quicksand frontman Walter Schreifels was quick to sing the praises of playing in a “gym with no air conditioning.” For his part, Bane’s Aaron Bedard went even further, waxing poetic about the joys of playing punk rock in a gymnasium through a PA that he’d seen walked through the doors of the venue earlier in the day.

“There’s nothing quite like that sound,” he said, adding, “I’m not even necessarily saying it’s a good sound.” But, he noted, there’s none more beautiful in his opinion, explaining how it takes him back to the early days of the band. I get what he’s saying – there’s a certain energy and immediacy to shows like this, a vibe that can’t really be replicated in more traditional music venues.

And this was most certainly a fun, high energy gig, even if both the bands and many of their their fans are getting up there in age. Sure, the moshpit didn’t get too crazy, but there were plenty of shouted singalongs throughout and Bane did instigate at least one circle pit during their set. What’s more, during Quicksand’s set, one fan was even inspired to crowd surf, definitely an unexpected sight in this largely middle-aged crowd. Schreifels was loving it, encouraging the crowd to carry the crowdsurfer all the way to the back of the room so that he could hang from the basketball hoop. He didn’t quite make it to the back, though he did end up making his way onto the stage where he then lived out his Guy Picciotto hoop dreams.

Another unexpected moment came a few songs in to Quicksand’s set when Hot Water Music’s Chuck Ragan took to the stage, joining Quicksand for a rendition of “Fazer,” definitely one of the highlights of the evening. Other highlights included classics like “Omission” and “Thorn in My Side” and newer tracks like “Crystallize” and “Regenerate” off their latest, Bring On the Psychics. They even threw in a couple cover songs … or at least one and a half covers.

After giving a shout out to openers Soul Blind, Quicksand launched into a version of Helmet’s “Unsung” that was abandoned midway through as Schreifels was having trouble remembering all the lyrics. And also because, as he noted, playing like Paige Hamilton while also singing is akin to rubbing your belly and patting your head at the same time. Fair enough. They also broke out their cover of The Smiths’ “How Soon is Now,” though Schreifels did add that this was not in any way an endorsement of Morrissey’s politics, just a cover of a beloved song.

All in all, this was a great show. Sometimes all you needs is need a gym, a rented PA, and a room full of people who are willing to sweat it out. Really, what more could you ask for from a hardcore show?

Song of the Day: Elephant Stone – Parallel and Contrary Motion

Posted on
28 Aug 2026
by
Paul

Montreal psych rockers Elephant Stone are back today with their new album ASHA, named after frontman Rishi Dhir’s late mother. “Parallel and Contrary Motion” is the latest single from the album. Check it out below.

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