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Concert Review: Die Spitz, June 3, The Garrison

Posted on
5 Jun 2025
by
Paul

From the moment that Die Spitz hit the stage at The Garrison on Tuesday night, the energy levels were already high. Even before the set officially began, they were amped – not just on, but fully charged. The Austin four-piece walked out to the strains of Shania Twain’s “Man! I Feel Like a Woman,” with the whole band grinning and singer/guitarist Ellie Livingston even busting a little dance move, setting the tone for the evening. This was going to be a party, and they were the rowdy hosts.

Livingston kicked off the night with a shouted greeting to the packed house before they launched into their opening number. Then the party really got started. By maybe the second or third song, bassist Kate Halter took crowd surfing to the next level, doing so while still playing the bass and never missing a beat. Meanwhile, Livingston wasn’t content to just stay onstage; she leapt into the crowd to sing and later wielded her guitar from the pit. For their part, Ava Schrobilgen and Chloe Andrews were no slouches either, trading off between drums and guitar at various points in the set and easily matching their bandmates’ energy and enthusiasm.

The set was a mix of fresh tracks from their upcoming Third Man Records debut and older gems like “My Hot Piss,” the sludgy “I Hate When Girls Die,” and the undeniable crowd-pleaser “Hair of Dog.” Each track was soaked in attitude and delivered with a reckless, joyous abandon – energy-wise, the band started their set at 100% and just kept the momentum rolling from there.

In short: Die Spitz put on one hell of a show.

Song of the Day: Diary – Stevie

Posted on
24 May 2025
by
Paul

“Stevie” is the latest single from Brooklyn’s Diary, out now via Kanine Records. Check it out.

Concert Review: Ministry, My Life With The Thrill Kill Kult, May 18, History

Posted on
19 May 2025
by
Paul

Sunday night saw Ministry, My Life With The Thrill Kill Kult and Die Krupps take to the stage at History for Ministry’s current tour in support of their latest release, The Squirrely Years Revisited. That album sees Al Jourgensen and co. revisiting tracks from the band’s earliest days, when they leaned more towards gothy synth pop sounds, and reimagining those tracks so that they align a little bit better with the industrial metal sound that Ministry would go on to be known for over much of their career. 

As such, the goths and the goth-adjacent crowd were out in full force, which meant that a quick scan of the crowd would find a sea of mostly black clothing in the packed house. There were a few outliers that dressed a touch more colorfully though, including a handful wearing Leafs merch to support the home team during what would end up being their final game of the season. Special shout out to the guy who had PSALM 69 on the back of his jersey in place of a player’s name and number. You, sir, win shirt of the night. 

Also memorably dressed was Thrill Kill Kult vocalist Groovie Mann, who wore a shirt with the word “WHORE” emblazoned on the front in big white block letters. A commentary on his feelings on being a part of the music industry? Perhaps, but regardless, the band put on a very fun show with songs like “A Daisy Chain 4 Satan” and “Sex on Wheelz” standing out as a few of the highlights. 

Easily the best dressed of the evening were the headliners, with the members of Ministry all decked out in matching spangly disco ball jackets. Jourgensen started things off by asking the crowd if they were ready to jump in the hot tub time machine with them and took it away from there. The band ran through a set of old school tunes including “Work For Love” and “Over The Shoulder,” with Jourgensen often making it a point to mention the year each song was released, drawing attention to the fact that a good chunk of them were well over 40 years old.

“Are your minds blown yet?” asked Jourgensen as they neared the end of their set. “I know ours are,” he added, before going on to introduce a song many had been waiting for and which he referred to as a song you generally hear in October – “(Every Day Is) Halloween.” He then thanked the audience for being a great crowd, emphasizing his point with a “Fuckin’ A, Toronto!”

The band returned to the stage with a pair of covers for the encore, kicking things off off with Fad Gadget’s “Ricky’s Hand” before ending with a cover of the oldest song they would play on this occasion – Rod Stewart’s 1978 hit “Da Ya Think I’m Sexy”, a song Jourgensen had previously recorded in 1993 with Revolting Cocks. 

Having seen Ministry a couple of times over the years, this show was a bit of a revelation as even though I’d seen them before, I’d never really heard Jourgensen truly sing before. And though they’ve reworked all these old songs to be more in line with where the band’s been at for most of their career, Jourgensen’s usual gruff bark often took a backseat for much of the set, making room for him to practically croon his way through tunes like “I’ll Do Anything For You” and “Same Old Madness.” And I liked it. Would I also have liked to hear tunes like “Filth Pig” or “Just One Fix?” Sure, but I knew going in that it was going to be all early stuff and appreciated the fact that this show was so much different than the previous times I’d seen them. 

Fuckin’ A, Ministry.

Song of the Day: TVOD – Party Time

Posted on
13 May 2025
by
Paul

“Party Time” is the latest single from Brooklyn post-punks TVOD, taken off their new album of the same name, out now via Mothland. Check it out.

Departure Festival Review: Housewife, Lala Noel, May 10, The Rivoli

Posted on
12 May 2025
by
Paul

“This is the first time I’ve been at the Rivoli where there’s been seats out and it’s weird. It feel like a different venue.”

Brighid Fry, aka Housewife, made this observation partway through their mid-afternoon set at the longstanding Queen Street venue as part of the Unplugged North showcase. And yes, it did seem a bit weird to have not just seats, but also a few tables in front of the stage, giving the room a quasi-dinner theatre cabaret vibe.

Not only that, but the show, which also featured Lemin, Eric Brandon, and Lala Noel, had a slightly different vibe in general than your standard concert, with each performer doing a brief interview with host Patrick Bateman before their set, giving each a chance to promote anything they might have coming up in the future.

Up first on the bill was Lala Noel. Taking to the stage solo and with her only accompaniment coming from her own vocals sampled and looped into patterns and rhythms and essentially creating her own backing band of sorts, she put on an impressive performance and proved herself to be a powerhouse vocalist.

Following that, Housewife took to the stage and started things off with “Matilda,” a song about her bike getting stolen, following that up with “Life Of The Party” before then proclaiming, “Enough with the sad songs” and moving on to “Fuck Around Phase,” a song about “having fun for the first time in a while.” Fry closed out the set with “I Lied,” another track off Housewife’s recently released Girl Of The Hour EP. Check out the video for “I Lied” below.

Departure Festival Review: The Woodgies, Jane Inc, May 8

Posted on
11 May 2025
by
Paul

I must admit that while I skipped out on the first night of Departure Festival entirely and only caught one show on the Wednesday, by Thursday night, I was already feeling a bit wiped out and not that into the prospect of going out to yet another show. Nevertheless, I rallied and even managed to make it out to more than one location, taking in two solid sets from The Woodgies and Jane Inc. 

I started my evening off with Jane Inc’s set as part of the Project Nowhere showcase at The Garrison. I caught the sophomore edition of the Toronto-based festival last year as well as a bit of their SXSW showcase this past March and really enjoyed the vibe of the festival. They tend to book some interesting performers and this showcase would be no different, with a bill that also featured Motherhood, Mother Tongues, and a DJ set from Moon King. Jane Inc, aka Carlyn Bezic, got the night off to a good start with an entertaining performance of dance pop that featured a bit of a philosophical bent in the lyrics.

From there, it was a quick trip around the corner to The Painted Lady to take in a set from The Woodgies, who impressed with their lovely harmonies and folk-inspired sounds. The Swiss/Irish sister duo spoke of how much they were enjoying the festival and conference so far as well as how much they liked the city of Toronto, noting that they’d like to come back soon. They put on a charming performance, with tunes like “Holding Hands” and “Down By The Riverside” standing out as highlights. The standout song of their set, however, was the closing number, a beautiful a capella rendition of The Cranberries’ “Dreams.” And while my (perhaps too ambitious) original plan for the evening was to head back to The Garrison for a bit of Motherhood’s set, I ultimately headed back home early, deciding that sleep was the smarter option, but happy that I managed to catch at least a couple of acts. 

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