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SXSW Song of the Day: Sorry Youth – Undercurrent

Posted on
28 Feb 2026
by
Paul

For several years now, Taiwan Beats has been showcasing Taiwanese artists at SXSW and they’re back again for the 2026 edition. This year’s showcase will take place on March 13 at Venue 6 (The Venue ATX) with a lineup featuring someshiit, Our Shame, Modern Cinema Master, Flesh Juicer, Pei-Yu Hung, and Taipei alt rock power trio Sorry Youth.

The band cite the likes of The Cure, Sonic Youth, Yo La Tengo, Mogwai, The National, and Wilco as influences and you can definitely hear some of those sonic touchstones in their song “Undercurrent.” Check out the video for “Undercurrent” below.

SXSW Song of the Day: Bershy – Radio

Posted on
27 Feb 2026
by
Paul

We’re now just a little under two weeks out from the start of SXSW and with one more big lineup drop due next week, there’s still more names to be added to the music fest component. In the meantime, let’s turn our attention to one of the more recently announced names – LA-based indie-pop artist Bershy, who made a bit of a name for herself recently when her song “Radio” took off after being featured in Episode 6 of the hit game Dispatch.

Now, because I am old and out of touch and have no idea what Dispatch is – let alone that there’s such a thing as episodic games – this means almost nothing to me. That said, I still recognize that “Radio” is a top notch tune and I give Bershy her props for getting some recognition three years after the song’s initial release. Check out the video for “Radio” below.

Bershy plays Swan Dive on March 12 @ 7:15pm.

Concert Review: Big Sugar, Wide Mouth Mason, February 20, Danforth Music Hall

Posted on
21 Feb 2026
by
Paul

An interesting thing happened just as Big Sugar were starting off their set on Friday at the Danforth Music Hall: the couple next to me got up and left. Not to worry, though – they came back just a couple of minutes later, at which point it all made sense. They had gone to the bar to get some drinks. Fair enough. Gotta get stocked up on supplies before you settle in to watch the show, after all. 

Speaking of alcoholic beverages, earlier that evening, while riding the subway, I spotted a long-haired, moustachioed dude wearing a trucker hat which read, “Daddy Needs a Beer,” and got a bit excited when I thought he was actually drinking a beer. Turns out it was just a cider. Fucking poser. But I digress. Back to Big Sugar.

Taking to the stage to the strains of the Get Smart theme song, the Toronto blues-rockers kicked things off with frontman Gordie Johnson shouting out a greeting to “Toronto and surrounding cities” before launching into “Diggin’ a Hole,” the lead track off 1996’s Hemi-Vision. They would go on to play Hemi-Vision in its entirety in honour of the album’s 30th anniversary, including tracks that Johnson admitted they never played back in the day.

What I’d almost forgotten about Big Sugar was just how deeply dub reggae runs through the band’s DNA. But that came rushing back on Friday night as they delved into a few dubby passages during their set. Those sweet, echo-drenched breakdowns and rubbery bass lines gave the set a laid-back, hypnotic pulse as the band switched back and forth effortlessly between the dubby and the heavy, a reminder that Big Sugar were never just a straight-ahead blues-rock band.

And though the current version of Big Sugar is not the same lineup that recorded Hemi-Vision back in the ’90s (Johnson is the sole remaining member from that era), they absolutely did it justice, with the heavy riffage of deeper cuts like “La Stralla” and “Empty Head” standing out as surprising highlights. Armed with his trademark double-necked guitar for much of the set, Johnson sounded great and he and his bandmates seemed to really be enjoying themselves as they dipped into their back catalogue.

It wasn’t all about Hemi-Vison though, with the band making sure to play hits like “Better Get Used to It” and “Turn the Lights On” as well. For the later number, they were joined during the encore by openers Wide Mouth Mason, as well as Friendlyness of local roots reggae outfit The Human Rights. During that song, both Johnson and Friendlyness gave a shout-out to late Big Sugar bassist Gary Lowe, paying tribute to a man who played an important role in the band’s history.

Speaking of history, Wide Mouth Mason gave the crowd a bit of a history lesson during their opening set. At one point, the band shared a story about being the “opening, opening, opening” act for Big Sugar back in 1996 in Saskatoon – a gig that ultimately led to them touring together in those early years. As they wrapped up their set, they told the crowd, “We’re gonna leave you with the first song off our first record, which was also a Big Shiny tune,” a nod to their appearance on those MuchMusic Big Shiny Tunes compilations that seemed so ubiquitous back in the day.

And though I don’t recall Big Sugar ever making an appearance on Big Shiny Tunes, the band proved on Friday night that three decades on, Hemi-Vision sounds pretty big and shiny in its own right.

Concert Review: Brandi Carlile, February 18, Scotiabank Arena

Posted on
19 Feb 2026
by
Paul

“We were here a minute ago opening for Pink,” said Brandi Carlile early on in her Wednesday night show at Scotiabank Arena, explaining that that’s how she could go from playing Massey Hall last time she did a headlining show in Toronto to playing Scotiabank this time around. She went on to joke that they don’t totally deserve it – though based on the crowd’s reaction, they might disagree with her on that point.

While admitting that being on her first stadium tour is obviously a very cool thing, Carlile did confess to feeling some trepidation about the leap – I believe the exact phrase she used was “shitting herself.” So in order to make things feel a little more cozy, she and her longtime bandmates Phil and Tim Hanseroth resorted to what she called a “parlor trick” midway through the set: taking live requests from the audience. On this occasion, she took requests for “Caroline” and “Keep Your Heart Young,” both apparently ones that they don’t play too often. It was a nice moment that helped make the show feel unique for audience and band alike, with Carlile adding, “It’s such a grounding moment for me.”

Other memorable moments in Carlile’s set came from powerful performances of “Sinners, Saints and Fools”, “The Joke” and “Church and State” as well as a few well-placed covers – a beautiful version of Linda Ronstadt’s “Long Long Time, ” her dramatic and suitably epic take on Alanis Morissette’s “Uninvited” and a cover of Coldplay’s “Viva La Vida” that saw her joined by openers The Head and The Heart.

I’ll admit I was initially surprised to see Carlile making the jump to arenas. This is not to say that she isn’t popular enough to play such large venues or that she’s in any way undeserving – quite the opposite. She just seems like an artist whose music is best suited to much more intimate rooms.

As it turns out, Carlile proved herself more than capable of putting on a show big enough to fill the space, as evidenced by rocking numbers like “Mainstream Kid”, “Broken Horses” and the aforementioned Alanis cover. At the same time, she was able to make things seem a lot more intimate than one might expect from a venue more used to hosting hockey games or Metallica concerts, with tunes like “A War With Time” and “The Mother” standing out as some of the absolute highlights of the evening.

Carlile, however, seemed more than willing to share the responsibility for creating such intimacy with the audience, commenting at one point, ” You just made this big old place feel like Massey Hall!”

When all was said and done, Brandi Carlile showed herself to be absolutely worthy of playing such a “big” room, not only holding her own on stage, but thriving.

SXSW Song of the Day: Zola Marcelle – Names 

Posted on
16 Feb 2026
by
Paul

In recent years, some of the more interesting shows at SXSW have come from the British jazz scene via the Jazz Re:Freshed Outernational showcases. And they’re back again this year with a promising lineup featuring Werkha, Mackwood, Femi Temowo, Knats, Amy Gadiaga, and Zimbabwean-born, London-based jazz fusion performer Zola Marcelle, who will open the evening as the first artist up in Jazz Re:Freshed’s Sunday night lineup. Check out the video below for Zola Marcelle’s “Names.”

Zola Marcelle plays Flamingo Cantina on March 15 @ 8:00pm.

SXSW Song of the Day: Pink Breath of Heaven – The Wind Is Calling

Posted on
15 Feb 2026
by
Paul

Often, at a festival like SXSW, one way to stand out from the crowd and get yourself noticed is by having an interesting or unique band name. Of course, once the name draws people in, it helps to have a good sound as well. Luckily, San Francisco shoegazers Pink Breath of Heaven check both boxes. Check out their video for “The Wind Is Calling” below.

Pink Breath of Heaven play Valhalla on March 18 (Time TBA).

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