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Song of the Day: Scowl – Fantasy

Posted on
27 Apr 2025
by
Paul

“Fantasy” is the latest single from Scowl, taken off the Santa Cruz band’s latest Are We All Angels, out now via Dead Oceans. Check it out.

Concert Review: Katie Gavin, April 25, Massey Hall

Posted on
26 Apr 2025
by
Paul

Taking to the stage at Massey Hall for the first night of a two night stand alongside tourmates Lucy Dacus and jasmine.4.t, Katie Gavin greeted the packed house with a simple, “Hi, babies” before launching into “Casual Drug Use” off her debut solo album What A Relief, released late last year on Saddest Factory Records. She would go on to play much of the new album over the course of the evening, along with an unreleased track, “She Gives Me Feelings,” which gave off a bit of a Waxahatchee vibe.

Mentioning that she’d already played a Toronto show in support of the new album back in December, Gavin noted that this show seemed a little more special, largely due to the feelings of camaraderie between herself and her tourmates, adding that being out on tour with Lucy and Katy was “the best.” The close connection between the tourmates was on display when Gavin invited jasmine.4.t onstage to join her for a duet on “As Good As It Gets,” returning the favour from earlier in the evening when Jasmine invited her onstage for “Guy Fawkes Tesco Dissociation.”

Gavin has described What A Relief as “Lilith Fair-core” and it’s a rather accurate assessment, with the album’s sound hearkening back to the late ’90s heyday of the Sarah McLachlan-founded festival, when the likes of Jewel, Shawn Colvin and Meredith Brooks ruled the airwaves and countless editions of those Women & Songs CD compilations could be found in record shops across the nation.

Taking influence from folk, pop, and country, Gavin’s solo debut is a warm and assured sounding album, with tracks like “Aftertaste” and “Inconsolable” standing out as particular highlights. Live, those tunes sounded great, with Gavin and her band putting on an impressive performance that saw her moving from guitar to keyboards to fiddle to shruti box over the course of the evening.

Katie Gavin is on tour with Lucy Dacus and jasmine.4.t over the next couple of weeks, with the tour wrapping up on May 15. Check her out if you get the chance.

Concert Review: Soft Play, Babe Haven, April 24, Axis Club

Posted on
25 Apr 2025
by
Paul

Photos by Stephen McGill

“We’re Babe Haven. We’re from North Carolina. Y’all know where that is? Y’all wanna dance? Alright, let’s dance.”

So said Babe Haven vocalist Lillie Della Penna following their opening number and as introductions go, it was a fairly straightforward yet also fairly effective one. The four-piece did indeed elicit some dancing, even getting a small circle pit going later on in their set. The self proclaimed “high energy queer punk band” certainly lives up to their own hype, putting on an impressive performance that definitely got the crowd moving.

For many bands, Babe Haven’s energetic set might be a tough act to follow, but luckily, Soft Play have more than enough energy to spare. The Kent-based duo of Isaac Holman and Laurie Vincent put on a formidable show that absolutely demands your attention. Their loud, raucous and, yes, energetic performance is especially impressive considering that not only is it just the two of them up there making all that noise, but that Holman takes on lead vocal duties while also drumming. And not just drumming, but drumming while standing up. And though he mentioned that they started out as a two-piece out of necessity because no one else wanted to play with them, I couldn’t imagine the band in any other configuration.

While Soft Play undoubtedly excels at making big, heavy rock music, one of the most memorable moments of the evening was when they paused to show off their, well, softer side, with Holman stepping away from the kit and Vincent switching to mandolin for “Everything and Nothing” and an acoustic version of the title track from their latest full length, Heavy Jelly. Other (heavier) highlights of the night included “Fuck the Hi-Hat”, “John Wick”, “Girl Fight” and the mass crowd singalong during “Punk’s Dead.” Yet another highlight came when Holman humorously responded to a guy shouting out for a song with, “Don’t spoil the setlist, mate. We know what we’ve got to play, we’re professionals”

As they neared the end of their set, the band announced that they had just two songs left, adding, “We don’t do encores ’cause they’re shit. Thanks for having us.” They ended things off with “The Hunter” off their 2015 debut album Are You Satisfied? And though that’s just the title of the album and not a question they were necessarily expecting to be answered, I’ll just go ahead a say that, yes, it seems fair to say that the crowd at The Mod Club on Thursday night walked away pretty satisfied.

Concert Review: Gary Louris, April 22, Hugh’s Room Live

Posted on
23 Apr 2025
by
Paul

Early on in his Tuesday night set at Hugh’s Room, Jayhawks frontman Gary Louris mentioned that he doesn’t normally write from an autobiographical perspective. but said that in the case of his latest album Dark Country, he definitely took a lot of inspiration from his wife, referring to her at one point as his muse. Dark Country is a solid collection of tunes, many of them about love, and Louris played several off the album, with songs like “Getting Older”, “Two Birds” and “Couldn’t Live A Day Without You” standing out as some of the highlights. 

Another highlight and one of my personal favourites off the new album was “Living On My Phone.” Some might hear a title like that and assume it to be an anti-tech screed about how we’re too attached to our devices and only living on our phones. But in Louris’s hands it instead took the form of a sweetly romantic number about how that tech was actually a lifeline that kept him and his wife connected through those early days of COVID when he was still living in the States and a border divided them. 

The things that keep Americans and Canadians divided also came up in a different form during the show when Louris invited Blue Rodeo’s Jim Cuddy onto the stage to sing a version of his recent tune “We Used to Be the Best of Friends.” That version saw Louris adding his own modified lyrics from the perspective of a disillusioned American to Cuddy’s tale of a wounded Canadian wondering how things went so wrong. And of course when they came together on the harmonies, it sounded fantastic. 

Voices coming together in song was also how the evening ended, with Louris inviting the crowd to join him as he closed things off with the Jayhawks classic “Blue.” And while the harmonies may not have been quite as tight as when he and Cuddy sang together earlier, it’s always great to hear a room full of people coming together to sing a beloved tune. So yeah, in its own way, that sounded fantastic too. 

Song of the Day: Ribbon Skirt – Earth Eater

Posted on
21 Apr 2025
by
Paul

“Earth Eater” is the latest single from Montreal’s Ribbon Skirt, taken off their recently released album Bite Down, out now on Mint Records. Check it out.

Song of the Day: Punchlove – Today You Can Learn the Secret

Posted on
13 Apr 2025
by
Paul

“Today You Can Learn the Secret” is the latest single from Brooklyn’s Punchlove, out now via Kanine Records. Check it out.

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