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Departure Festival Review: Evan Redsky, Emily Schultz, Sister Ray, May 7, Burdock

Posted on
10 May 2025
by
Paul

I was first introduced to the concept of the songwriters circle while attending folk festivals in my youth and really became enamored with the format. It’s simple yet so effective – gather a group of musicians together to play their songs in the round, with each sharing the stories behind the music. And on Wednesday night, the second night of Departure Festival, Burdock played host to three singer-songwriters as part of the venue’s MIrrorball at the Music Hall series, with Sister Ray, Emily Schultz and Evan Redsky taking to the stage together alongside host Kaitlyn Swan.

The trio took turns playing songs, several of them yet to be released, sharing their inspiration for each tune as Swan interjected with questions, guiding the conversation along as the session morphed into a blend of songwriting workshop and a group therapy session of sorts as they also delved into the difficulties of songwriting at times.

In her intro to her first song of the evening, Schultz mentioned this ‘songwriter in the round’ format was her favourite way to take in and share music and I’d have to agree – there’s a certain openness to it and a sense of community that brings the performers and audience closer together. It’s also an interesting way to get more insight into a writer’s inspirations. Schultz’s first song, “Here and Now,” was a good example of this.

An unreleased song she’d never played before, “Here and Now” was inspired by the true story someone who decided to end it all at a downtown Toronto hotel where she regularly performs and the shock of it all, especially when she was told that this happens all the time. Sister Ray and Evan Redsky also took this session as an opportunity to test out some new unreleased material and it all sounded great, with Redsky’s “Cosmic Carousel” standing out as a particular highlight. It was quite interesting to hear his thought process while writing the song, which takes inspiration from the film Interstellar and touches on concepts around time and space, particularly the idea of circular time.

Of course, being aware that they should also use this as a chance to introduce folks to the music that they have actually released, each artist played at least one song that people could go and listen to right away. Of those tracks, my favourite of the evening was Sister Ray’s “Believer,” the title track off their recently released sophomore album, out now on Royal Mountain Records. Check it out below.

Hot Docs Review: Ultras (Ragnhild Ekner, 2025)

Posted on
8 May 2025
by
Paul

Football (or soccer, to us North Americans) is one of the most popular sports worldwide. As such, it tends to attract a dedicated breed of fans, the sort who serve as a reminder that “fan” is short for “fanatic.” These fans, known as ultras are a fairly extreme group and a natural subject for a documentary. In Ultras, director Ragnhild Ekner takes a deep dive into the culture and psychology of this subculture, seeking to gain more insight into why they go to such extremes.

Interestingly, Ekner chooses not to show the faces of any of the individuals speaking throughout the film, focusing less on the individuals and more on the collective identity of these ultras and what brings them together. To this end, Ekner speaks with fans from around the world, making it clear that, regardless of where they may be, there is a certain common thread that binds them.

While ultras are known for their rough and rowdy ways and often associated with violence, interestingly, we don’t see too much of that onscreen (aside from a little light arson here and there), though as one fan attests onscreen, “Subcultures have always been associated with violence as a form of opposition to the prevailing social order.”

There are a few such comments through the film and at first, it seemed to be laying it on a bit thick – you’re going to a football match, not fighting in a war – but as the ultras share their testimonies and the film continues to show us scenes from around the world, Ekner makes it evident that, in a way, some of these fans kind of are going to war. They’re not just overromanticizing things – in countries where the citizens truly do face oppressive regimes, this is about more than just fandom and can actually lead to real political action and resistance.

Ultimately, whether it leads to getting involved in political movements or simply getting together to work on creating a massive banner to display at the match, what these fans get out of this is a chance to express themselves and a strong sense of community.

Hot Docs Review: Spreadsheet Champions (Kristina Kraskov, 2025)

Posted on
5 May 2025
by
Paul

As my colleagues at Panic Manual can attest, I am not the most technologically inclined individual. As such, I did not expect to enjoy a film about Microsoft Excel as much as I did. And I most certainly did not expect to get in any way emotional while watching a film about spreadsheets. Yet here we are.

In Spreadsheet Champions, director Kristina Kraskov follows a handful of competitors from around the world as they congregate in Orlando, Florida to compete in the Microsoft Office Specialist World Championship. And make no mistake – this is a serious competition. These kids are competing at the highest level and going through all the emotions in the process. And while it can be a stressful time, they clearly know their stuff and they all seem to handle it relatively well, especially those who face some unexpected obstacles. 

A spreadsheet competition seems like an unlikely subject for a documentary, but then again, it generally seems like an unlikely event in the first place. Regardless, it makes for a compelling and satisfying doc, regardless of your level of interest in spreadsheets.

Hot Docs Review: They’re Here (Daniel Claridge, Pacho Velez, 2024)

Posted on
4 May 2025
by
Paul

A healthy dose of skepticism is a good thing and for many, I’d argue it’s a natural response to question and challenge things. But it’s also natural for people to look for something to believe in. For some it’s religion or a certain philosophy, while others might dig deep into conspiracy theories which help them to make sense of the world. For many though, it’s the belief that we’re not alone in the universe and that there’s some form of alien life out there.

They’re Here follows a number of such individuals as they speak out on their alleged experiences with UFOS, from sightings to abductions, and the impact these experiences have had on their lives. And while directors Daniel Claridge and Pacho Velez seem to approach it all from a position of skepticism, they also give their subjects space to express their beliefs without judgment.

And while the film is unlikely to convince any skeptics that UFOs are in fact proof of alien life, what it does offer up is an interesting look into the psychology of its subjects. In their pursuit of evidence of alien life, all of them seem to also be looking for something else, whether it’s a sense of belonging to a community, a better understanding of their past and themselves, or a hope for a better life somewhere else. That’s something we can likely all relate to, regardless of what we may believe.

Hot Docs Review: Crossing the Divide (Chrisann Hessing, Ashley Brook, 2025)

Posted on
2 May 2025
by
Paul

Amongst the many problems facing modern society these days, political polarization is certainly one of the big ones. Having a civil conversation with someone who doesn’t share your perspective on things can often be challenging. We could just accept that this is the way things are now or we could make the effort to look for another way to deal with differences of opinion, one that maybe even helps us come to a better understanding of the other perspective and possibly even move on from there to find some solutions. Not the easiest thing to do for sure, but it’s the path that Amanda Sussman and Kathleen McGill choose to take.

Showing as part of Citizen Minutes, the Hot Docs-commissioned series of short docs on the topic of civic engagement, Crossing the Divide follows Sussman and McGill as they take a trip to the U.S. for the Braver Angels conference, whose only requirement for attendance is that you must be paired with someone with the opposite political point of view. While there, they take part in several workshops and discussions on the idea of “depolarizing yourself,” with a focus on topics such as stepping outside your bubble, sharing your POV and, hopefully, finding some common ground. As one of the other participants point out at one point, “If we don’t start listening to each other … we’re in for a bleak future.”

Ultimately, the goal of listening to each other, sharing ideas, and hopefully finding some common ground is the ideal in any democratic society and should be the key to working towards the common good. It’s a noble goal, but it’s certainly not going to be easy and it’s definitely not happening overnight. But there’s always hope, I suppose. The first big step is finding someone on the other side who’s willing and open to having those conversations.

Hot Docs Review: Selena y Los Dinos (Isabel Castro, 2025)

Posted on
2 May 2025
by
Paul

Though her life was cut tragically short at the age of 23, Selena Quintanilla devoted most of her life to performing and making music. That life is examined in Selena y Los Dinos, a warm and loving tribute to the woman known as the “Queen of Tejano Music.” And though her story has been told many times over, from the 1997 biopic to numerous documentaries to no less than two TV series based on her life, director Isabel Castro offers a fresh and compelling take, offering up plenty of archival footage alongside interviews with her bandmates and family members.

Those interviews are really the heart of this film, giving viewers an inside glimpse into her life, from her earliest days of performing at her father’s restaurant as a child to her days as an emerging star on the Tejano scene to her breakthrough success and ultimately to her tragic end. The latter comes as a gut punch towards the end of the film, even though you know it’s coming. But happily, the film doesn’t dwell on the tragedy, focusing more on Selena’s impact on those closest to her and her lasting legacy as a cultural icon.

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