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Song of the Day: Karma Glider – Wait for You

Posted on
11 Jun 2025
by
Paul

“Wait for You” is the latest single from Montreal indie rockers Karma Glider, taken off their upcoming debut full length, the excellently titled From the Haze of a Revved Up Youth. Check out the video for “Wait for You” below.

From the Haze of a Revved Up Youth is out July 11 via Mothland.

Concert Review: Dragged Into Sunlight, June 9, Lee’s Palace

Posted on
10 Jun 2025
by
Paul

While there may be all sorts of wonderfully poetic language one could use to describe the sound of a band, sometimes it’s best to keep it simple and straightforward. So in that spirit, let me just say that the sounds emitted by Dragged Into Sunlight at Lee’s Palace on Monday night could best be summed up in one simple word – heavy. Utterly, crushingly heavy. 

Following a lengthy introductory soundscape that sounded like a dark extended remix of the THX Deep Note, the band took to the stage to begin their set. In concert, Dragged Into Sunlight do things a little differently than most. Eschewing the typical tropes of a live performance, they started out their set with backs turned and stage lights dimmed, the stage decorated with some heavily antlered deer heads atop the stacks of amps and a massive candelabra front and centre to draw the audience’s attention.

Their backs would remain turned to the crowd for the duration of their set to maintain a certain aura onstage. Because it’s not about them, it’s about the music. No stage banter either, of course – just the sound of old movie samples between songs if you wanted to hear a regular human voice. I’d also heard that they used to wear balaclavas onstage to help keep thing mysterious but I guess they ditched that gimmick. Probably gets too sweaty on stage. Cheaper laundry bills while on the road too, I’d imagine. 

When you call yourselves Dragged Into Sunlight, it implies a certain intensity, like some shadow dweller being forced into the harsh light of day, kicking and screaming all the way. And well, there was screaming, both in the form of vocalist T’s intense performance and. to a lesser extent, in the form of the occasional “Woo!” from the crowd. But let’s be honest – this isn’t a band you typically “woo” at. This is a band that’s puts on an intense show, with a sound that’s dark, dismal, immersive and, yes, heavy. It’s a vibe for sure, and their unique performance style suits that vibe perfectly.

As I’ve said, ‘heavy’ is really the only word needed to describe this band and they did indeed keep things suitably heavy over the course of their roughly one hour long set. And frankly, I wouldn’t have it any other way. I am quite glad, however, that I remembered to bring earplugs.

Concert Review: Prostitute, Shiv and the Carvers, Sam Jr, The Royal Family, June 7, Do West Fest (Transmit Stage)

Posted on
9 Jun 2025
by
Paul

This past weekend saw the latest edition of Do West Fest take over several blocks along Dundas Street West for a street party full of food trucks, local vendors, and plenty of music. As in past years, a slew of musical acts, mostly local, played throughout the weekend across various stages. And on Saturday evening, the main stage, curated by Transmit Presents, saw some great performances from the likes of Prostitute, Shiv and the Carvers, Sam Jr and The Royal Family. 

The evening started off for me with the trippy sounds of The Royal Family. The six-piece Toronto group (made up of members of Possum, ROY, Hieronymus Harry, The John Denver Airport Conspiracy, and Wine Lips) impressed with their ’60s-inspired mellow psych rock jams, occasionally tinged with country/folk vibes. At times, they brought to mind a cross between The Velvet Underground and The Grateful Dead. They finished off with a new song (well, they were all new to me) – a little number called “Dreaming” that did indeed have a rather dreamy vibe.

Following The Royal Family, locals Sam Jr. kept it psych, but with a decidedly heavier, more fuzzed out sound that really kind of blew me away. It wasn’t all heavy all the time however, with the band switching gears for their last song to bust out a beautiful and moody cover of Skeeter Davis’s “The End of the World.” It made for a nice contrast to the distortion and volume that came before.

Next up: a blast of pure punk rock from Shiv and the Carvers, who made the strategic decision to announce their band name at the end of every song. A wise choice – good self-promotion is important at a show where plenty of random passersby might catch their set and wonder, “Hey, who is this group that’s laying down some fun, heavy, melodic punk?” Shiv and the Carvers, that’s who. I wasn’t necessarily expecting to hear them play a song referencing S&M at a free outdoor street fest, but then again, it’s not every outdoor street fest that culminates with performances from bands named Prostitute and Fucked Up.

And though a prior engagement would mean that I’d have to miss Fucked Up’s headlining set (too bad – they’re always great live), I did manage to catch the first few songs from Prostitute and they absolutely did not disappoint. The Dearborn, Michigan-based band put on an intense and passionate set of heavy post-punk that was hard to ignore. Their energy and raw sound capped off an eclectic and entertaining night of music, thus proving that Do West Fest (and Transmit) still knows how to throw a solid block party.

Concert Review: The Weather Station, June 6, The Concert Hall

Posted on
8 Jun 2025
by
Paul

Back in January, shortly after the release of their latest album Humanhood, The Weather Station played an intimate in-store set at Sonic Boom Records. There was something uniquely satisfying about seeing The Weather Station perform that evening, nestled between the Nine Inch Nails and Joy Division t-shirts hanging on the wall behind them. No frills, no fancy lighting – just Tamara Lindeman, her guitar, and longtime collaborator Ben Whiteley performing a selection of songs off the new album.

The crowd, packed in amongst the vinyl, leaned in as Lindeman played a stripped-down set in a quiet corner of one of the city’s best record shops. “We’ll be doing a proper show in June,” she noted, “with the full band and the lights,” as if to say, this isn’t that. But honestly, their performance felt like more than enough in the moment.

But it is June now, and true to her word, Lindeman was indeed back, full band in tow, to play a proper show at the Concert Hall. And while that in-store show back in January did offer up something unique and special, I was also looking forward to hearing these songs in their more fleshed out form. They didn’t disappoint.

With the set mostly focusing on tracks off the latest album (with a handful of tunes off 2021’s Ignorance as well), the night was structured into three “acts,” with each section specifically curated to feature songs that shared a common theme, or at least similar vibes. The band sounded great, with saxophonist/clarinetist Karen Ng standing out as a particular highlight. Lindeman spoke to the crowd at one point, reflecting on how they typically kick off their tours in Toronto, which can often make for a more tentative feel as the band still finds their footing. This time though, with the tour wrapping up and the band fully in sync, the show had the energy of a triumphant return – they were definitely firing on all cylinders.

So yes, this was quite different than that stripped-down January set featuring just Lindeman and Whiteley, but ultimately each set was quite satisfying in its own way. Full band or acoustic duo, when it comes down to it, it’s all about the songs.

Concert Review: Die Spitz, June 3, The Garrison

Posted on
5 Jun 2025
by
Paul

From the moment that Die Spitz hit the stage at The Garrison on Tuesday night, the energy levels were already high. Even before the set officially began, they were amped up and fully charged. The Austin four-piece walked out to the strains of Shania Twain’s “Man! I Feel Like a Woman,” with the whole band grinning and singer/guitarist Ellie Livingston even busting a little dance move, setting the tone for the evening. This was going to be a party, and they were the rowdy hosts.

Livingston kicked off the night with a shouted greeting to the packed house before they launched into their opening number. Then the party really got started. A few songs in, bassist Kate Halter took crowd surfing to the next level, doing so while still playing the bass and never missing a beat. Meanwhile, Livingston wasn’t content to just stay onstage; she leapt into the crowd to sing and later wielded her guitar from the pit. For their part, Ava Schrobilgen and Chloe Andrews were no slouches either, trading off between drums and guitar at various points in the set and easily matching their bandmates’ energy and enthusiasm.

The set was a mix of fresh tracks from their upcoming Third Man Records debut and older gems like “My Hot Piss,” the sludgy “I Hate When Girls Die,” and the undeniable crowd-pleaser “Hair of Dog.” Each track was soaked in attitude and delivered with a reckless, joyous abandon – energy-wise, the band started their set at 100% and just kept the momentum rolling from there.

To put it simply, Die Spitz put on one hell of a show.

Song of the Day: Diary – Stevie

Posted on
24 May 2025
by
Paul

“Stevie” is the latest single from Brooklyn’s Diary, out now via Kanine Records. Check it out.

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