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Hot Docs Preview: Ramen Heads [Koki Shigeno, 2016]

Posted on
1 May 2017
by
Ricky

Screen Shot 2017-04-25 at 11.16.04 PM

Half documentary, half food porn, Ramen Heads is a film that mostly follows the story of “king of ramen” Osamu Tomita. We get a glimpse into his daily life, his philosophies and his meticulous attention to his craft. You might think of ramen as a simple bowl of noodles, but after this documentary, you will look at it very differently. A perfect bowl, you will find, requires dedication, creativity and attention to detail that you would never imagine. Tomita is a great representation of what it takes to be a great ramen chef and the film documents that with great detail (and also the director scored a few bowls of ramen, which is an inherent benefit)

Also embedded within this movie is the story of ramen as well as gorgeous shots of many bowls of ramen, from many different restaurants, all of which I want to now eat at.

Go to this movie, and then go eat some ramen after.

Thu, May 4 @ 5:45 PM Scotiabank Theatre 13
Fri, May 5 @ 10:15 AM TIFF Bell Lightbox 3
Sat, May 6 @ 10:45 AM TIFF Bell Lightbox 2
Sun, May 7 @ 12:00 PM Hart House Theatre

UPDATE!

A post shared by Ricky Lam (@panicmanual) on May 3, 2017 at 3:11pm PDT

On a sunny Wednesday afternoon, we were invited to actually experience the ramen that made Osamu Tomita famous. As part of a promotional event for Tokyo docs, Osamu Tomita showed up at Momofuku and proceeded to tell us not only what’s in his broth (a host of animals and vegetables) but also, cook a small sample of it.

Having taste the ramen, it is something else. It’s so hard to define the taste of the broth. There is a certain level of complexity it achieves by incorporating so many animals into it. Not quite pork, not quite seafood but a mismatch of both, the broth and the amazing noodles made for a great combination. Let me tell you, that was legit. I left with a dumb smile on my face and that’s a great sign of great food.

Hot Docs Review: Shiners [Stacey Tenenbaum, 2016]

Posted on
30 Apr 2017
by
Paul

Shiners_5

Shiners is an interesting look at a line of work that many of us rarely even think about – shoe shining. The film even makes this explicit with the first lines spoken from a man on the street being interviewed:”If I’m being honest, I’ve never thought about shoe shining.”

It’s true – I’d imagine most people, if they even notice shoe shiners, are apt to walk past and ignore them, but luckily, director Stacey Tenenbaum took the time to interview shiners from locations around the world and look into what drew them to the job.

The film profiles several people from various walks of life coming to the job for various reasons. There’s a Toronto based man who works out of a hipster-ish barber shop, drawn to the job while recovering from an accident, there’s Don in New York, who went through several careers before settling on shoe shining because he likes the freedom of it, and then there’s the San Francisco and Japan based shiners who see what they do as more of a niche, elite service. The most intriguing story, however, is that of the Bolivian workers who mostly have to wear masks to protect their identity due to the stigma surrounding the job there. Regardless of what brings them to it though, each and every one of these shiners takes a certain pride in the job, with some even seeing it as a calling.

Ultimately, Shiners is is a compelling look at an overlooked and somewhat out of the ordinary career.

Screenings:
Sun, Apr 30 1:00 PM @ Hart House Theatre
Thu, May 4 9:30 PM @ Hart House Theatre

Hot Docs Preview: Becoming Bond [Josh Greenbaum, 2017]

Posted on
28 Apr 2017
by
Paul

Becoming_Bond_1

Becoming Bond is a light hearted, entertaining film about the life of George Lazenby, the man who became known for famously taking on the role of James Bond for one film and one film only before giving it all up.

Told through a series of reenactments and narrated by Lazenby himself, it tells the tale of his early life, how he made his way up from car mechanic to salesman to male model and eventually, to somehow bluffing his way into replacing the departing Sean Connery in one of the most iconic film roles around.

While he spins a good tale, one gets the sense that Lazenby must be embellishing his story for effect to at least some extent. He’s got enough charm to pull it off though and the performance by Josh Lawson as Lazenby as well as cameos from Jeff Garlin, Jane Seymour, Jonathan Slavin, and Jake Johnson make for an entertaining watch.

Screenings:
Wed, May 3 @ 8:30 PM, TIFF Bell Lightbox 1
Thu, May 4 @ 3:45 PM, Isabel Bader Theatre
Fri, May 5 @ 7:00 PM, TIFF Bell Lightbox 1

Hot Docs Preview: Tokyo Idols [Kyoko Miyake]

Posted on
27 Apr 2017
by
Ricky

Screen Shot 2017-04-16 at 11.57.00 AM

Tokyo Idols is an absolutely fascinating documentary about “idols”, a Japanese music phenomena mostly consisting of young girls dressed up in costumes and performing J-pop songs. Following both the Idols and their fans, the documentary presents the story of idol obsession from both sides, and how closely the two are intertwined.

There are some wow moments in this documentary and it sheds light on subculture in a culture that for the most part, is mostly closed off to worlds like ours. It’s a riveting piece and will spark all types of conversations among those who watch it.

Highly recommended

Screenings:
Mon, May 1, 9:15 PM @ Scotiabank, Cinema 4
Wed, May 3, 10:30 AM @ TIFF Bell Lightbox 3
Sun, May 7, 10:00 AM @TIFF Bell Lightbox 1

Hot Docs Preview: Living the Game [Takao Gotsu, 2017]

Posted on
26 Apr 2017
by
Ricky

Screen Shot 2017-04-25 at 11.10.16 PM

With the emergence of e-sports over the past decade, it was only a matter of time before a documentary came out about it.

Living the Game is a film that follows the lives of several professional Street Fighter players. It’s an interesting tale focusing heavily on two very different personalities and how they tackle the struggles of being a professional gamer (there are five gamers featured, but two are heavily featured). What I found interesting is that the tale told could theoretically be about any sport, as it dives through struggles with training, maintaining a balanced life and also needing to sort out what happens after their careers are finished. The director does a great job highlighting both the good and the bad, making it a real struggle that the audience can connect with even if they don’t play video games.

Screenings:
Tue, May 2 @ 8:30 PM Scotiabank Theatre 4
Thu, May 4 @ 8:45 PM Scotiabank Theatre 7
Sun, May 7 @ 6:15 PM Scotiabank Theatre 3

CMW Review: B-17, Zoobombs, April 22, Silver Dollar

Posted on
25 Apr 2017
by
Paul

IMG_20170423_021508

Is is possible to feel nostalgia for something that hasn’t even gone away yet? If so, that would explain why I made the kind of dumb decision to stay out til late night/early morning on the last full night of CMW to take in the last few acts of the night. After all, only nostalgia for the days when a 4:00 am last call and bands playing almost all night long seemed more appealing than an early night in with a good book could explain why I’d be willing to stay out ’til all hours. That and the fact that the Silver Dollar will soon be no more than a memory.

Following sets earlier in the night from Japanese Breakfast, Liam Betson, and others, B-17 took to the stage for the 2:00 am slot. The Toronto psych rockers gave a shout out to Dan Burke for “making this shithole the best place in the city for the past 15 years,” adding that they’ve played “literally hundreds” of shows there over the years. The band ran through a raucous set of tunes from their latest album Goodbye before saying their own goodbye to the Silver Dollar. “Alright this is it. The moment that us as a band don’t play here anymore. You’re gonna feel foolish if you don’t dance.” said singer/bassist Clint Rogerson as he introduced the band’s last song, a fantastic version of The 13th Floor Elevators’ “You’re Gonna Miss Me.” A fitting farewell to the Dollar.

Following them for the last set of the night were Japan’s Zoobombs, the undisputed MVPs of Canadian Music Week. Having already played The Silver Dollar earlier in the week (as well as a couple of other CMW shows elsewhere), the band was back for one more show at their Toronto home. After wishing the crowd a good morning, Don Matsuo added, “This is why we love Toronto. 3 am! Such a crowd. Such a stupid crowd.” He’s got a point – it is a bit stupid to take in a rock show at three in the morning, but they absolutely made it worth our while, and if anything’s going to keep you awake at that time of night, it’s The Zoobombs.

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