Skip to content
  • Home
  • About Us
    • Derek
    • Gary
    • Halley/Celeste
    • Paul
    • Ricky
    • Vik
  • Concerts
  • Reviews
    • Albums
    • Venue
    • Movies
    • Year End Reviews
  • Festivals
    • Canadian Music Week
    • Hot Docs
    • North By Northeast
    • Planet in Focus
    • Primavera
    • South By Southwest
  • Contact Us
Menu
  • Home
  • About Us
    • Derek
    • Gary
    • Halley/Celeste
    • Paul
    • Ricky
    • Vik
  • Concerts
  • Reviews
    • Albums
    • Venue
    • Movies
    • Year End Reviews
  • Festivals
    • Canadian Music Week
    • Hot Docs
    • North By Northeast
    • Planet in Focus
    • Primavera
    • South By Southwest
  • Contact Us

SXSW Review: Slow Magic, March 13, Licha’s Cantina

Posted on
14 Mar 2014
by
Paul

050

Nobody was really clamoring to hear it, but here’s my opinion nonetheless: live electronic music can be a bit dull to watch sometimes. No matter how compelling or original the music, the presentation of the material in a live setting often ultimately comes down to somebody pushing buttons and twiddling knobs. One need only refer to that horrendous Siddhartha thing that Billy Corgan did a couple of weeks back to understand how tedious that sort of thing can be to watch. Because of this, it’s especially appreciated when an artist goes the extra mile to, y’know, put on an actual SHOW at one of their shows and on this front, Slow Magic definitely delivered.

Wearing a full mask and costume and not saying a word during his entire performance, the man only known as Slow Magic built up a bit of a sense of mystery about his performance, although the audience at this afternoon showcase got to peer behind the veil a bit while he soundchecked for a bit, with the sound guy being perhaps a bit too thorough in getting the levels on the drum just right.

As soon as the set started, Slow Magic was very active, drumming almost continuously throughout his set, moving about through the crowd, and even inviting someone up from the crowd for a bit of an audience participation drum-off. The fact that it was all happening on the backyard patio of a Mexican restaurant only added to the vibe. Fun times.

PrevPreviousSXSW Review: Saintseneca, Lost In The Trees, March 12, Flamingo Cantina
NextSXSW Review: London Grammar, March 12Next

SEARCH

FOLLOW US

Facebook Twitter Flickr Foursquare Rss Inbox

THE PAST

Archives

TAGS

Tags
British Music Embassy (10) Canadian Music Fest (11) canadian music week (20) cmf (10) cmw (42) concert (9) el mocambo (9) fringe (26) Great Lake Swimmers (10) guelph (9) horseshoe tavern (23) hot docs (103) jazz (12) Joel Plaskett (10) jukebox the ghost (15) lee's palace (27) marina and the diamonds (10) Massive Attack (10) mod club (12) NXNE (94) of monsters and men (11) Phoenix (15) play reviews (11) Pulp (11) Roskilde Festival (16) rural alberta advantage (10) sharon van etten (10) suede (12) summerworks (34) SXSW (479) SXSW 2022 (11) SXSW 2024 (11) SXSW Online (18) the antlers (11) the cure (9) the national (10) the xx (11) Tokyo Police Club (9) Toronto (25) toronto fringe (14) Toronto Jazz Festival (55) turf (13) tweeview (10) Video (9) zeus (10)
The Panic Manual

We are a collective of individuals bringing you the latest in concert reviews, indie, britpop, Canadian, twee and all sorts of other music, movies, tv and everything else you like. Follow the manual to live a pleasant and fulfilling life.

All rights reserved