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Song of the Day: Atsuko Chiba – Pope’s Cocaine

Posted on
29 Jun 2025
by
Paul

“Pope’s Cocaine” is the latest single from Montreal’s Atsuko Chiba, out now via Mothland. Check it out.

Song of the Day: Wednesday – Wound Up Here (By Holdin On)

Posted on
28 Jun 2025
by
Paul

“Wound Up Here (By Holdin On)” is the latest single from Wednesday, taken off the band’s upcoming album Bleeds, out September 19, 2025 via Dead Oceans. Check it out.

Film Review: Every Time You Lose Your Mind (Ken Andrews, 2025)

Posted on
27 Jun 2025
by
Paul

The talking head interview is a fairly common trope in music docs. And Everytime You Lose Your Mind: A Film About Failure is no exception, featuring plenty of talking heads speaking on the music of its subjects, ’90s alternative rockers Failure, from the band themselves and their musical contemporaries (Butch Vig, Steve Albini, Tool’s Maynard James Keenan) to those who took inspiration from Failure’s sound (Hayley Williams of Paramore, Brian Aubert of Silversun Pickups) to a few more unexpected appearances (Margaret Cho? Sure, why not?) and even the inevitable appearance of Rick Beato, who manages to throw out a hilariously self-important sounding soundbite that begins with the line, “As a listener with a master’s degree in music …”

Also making appearances are Jason Schwartzman, David Dastmalchian and Melissa Auf Der Mar, among several others. And while that’s a wide ranging cast of characters, all of them speak in general of a common theme – the impressiveness of the band’s sound, both from a compositional and a production standpoint. As someone who never really delved too deeply into Failure’s discography beyond 1996’s Fantastic Planet, it was a bit of an eye opener to hear some of these details, particularly the moments when the members of the band themselves speak on the influence of The Cure on some of their earliest work. I hadn’t thought of it before, but strip away some of the other window dressing and yeah, The Cure influence is definitely apparent.

While the film exists primarily to celebrate Failure, it does go a bit deeper than just being a puff piece on the band, shining a spotlight on some of the turmoil that led to their 1997 breakup before their eventual reunion years later. Chief among these is Greg Edwards’ struggle with drug abuse and addiction that was a key reason for them breaking up in the first place. To its credit, the film doesn’t shy away from examining these darker parts of Failure’s story, especially notable since director Ken Andrews is actually in the band.

If I’m being honest, for the longest time I thought of Failure as nothing more than a footnote in rock history. Sure, I’d heard “Stuck On You” back in the day, and a few of their other songs, but at the time, I kind of wrote them off as a band I didn’t really need to look into much deeper – after all, Hum pretty much filled my needs as far as heavy, distorted shoegaze and metal-adjacent alt-rock sounds went. I’ve since come around a bit on Failure and can see the obvious inspiration they’ve had on the next generation of musicians, with the band’s legacy now firmly established as cult heroes for a certain segment of music fans. Everytime You Lose Your Mind delves into that legacy and while it is, true to its title, a film about Failure, it’s also a success story of sorts.

Concert Review: Colleen Green, Rozwell Kid, Pony, June 22, Sound Garage

Posted on
23 Jun 2025
by
Paul

“Are you hot? Same.”

So said Pony‘s Sam Bielanski at the start of their set opening for Colleen Green and Rozwell Kid at Sound Garage and, no, she wasn’t commenting on the general attractiveness of either the crowd or herself but on the temperature. Yes, it was hot in Toronto, and it didn’t help things that Sound Garage did not have any air conditioning They did have plenty of massive fans around the venue to help cool things off, but the lack of A.C. still made for a hot and sticky show. I guess I should have expected as much going to a place with “garage” in the name.

Bielanski commented further on how our current heat wave affected not just the venue, but their journey there beforehand, noting that the band just got a “new old” van, one without a working A.C. unit, so she and her bandmates now have a “trauma bond” that they didn’t have before. Still, if the heat was affecting them, they didn’t let it show too much, putting on a fairly high energy show despite the temperature. Bielanski also mentioned how personally excited she was to see Colleen Green later that evening, referring to Green as her own personal GOAT.

Following Pony, West Virginia’s Rozwell Kid took to the stage and impressed with a tight set of chunky indie rock tunes that brought to mind Weezer and Fountains of Wayne. As their set neared its end, vocalist Jordan Hudkins remarked that he was sad to be wrapping up – something he probably says at most shows – but then quickly added that it was hot and his foot hurt, so maybe he wasn’t that sad. Either way, this wouldn’t be the last we’d see of them.

Finally, we came to the main event of this very hot evening as Colleen Green took to the stage backed by her carefully assembled crack team of rock ‘n’ roll commandos – aka the members of Rozwell Kid – to run through a performance of her 2015 album I Want To Grow Up. It’s probably safe to say that, 10 years later, Colleen Green has indeed grown up. That much was made clear with a glance at some of the merch on sale that read, “I Want to Get Old” – once you’ve grown up, I suppose getting old is the next natural step.

Clad in a black dress, matching blazer, and her trademark sunglasses, Green looked like she’d just stepped off the set of Men in Black; Indie Rock Edition. With a birthday party hat completing the ensemble for that additional touch of whimsy, of course. The hat wasn’t just for show either, as she kicked off her set by asking the crowd if they were ready to party. As in, a birthday party celebrating I Want to Grow Up hitting the Big One-Oh. Clearly, this was a crowd that was ready to celebrate, heat wave be damned. Was it hot, sweaty, and a little uncomfortable? Yes, but it was also a great show – sometimes you’ve got to suffer a little bit for rock ‘n’ roll.

Concert Review: CIVIC, June 16, The Baby G

Posted on
17 Jun 2025
by
Paul

CIVIC took to the stage at The Baby G on Monday night with a burst of energy and punk rock attitude, delivering the kind of tight, vibrant set that made you forget it was a Monday. It was the band’s first time in Toronto, and they played like they were trying to make up for lost time.

Touring behind their latest release Chrome Dipped, the Melbourne-based four piece were a long way from home, but they somehow made a connection between their hometown and Toronto, specifically the stretch of Dundas West just outside of The Baby G.

“That street looks like fuckin’ Melbourne out there” noted frontman Jim McCullough at one point and though I’ve never been to Melbourne, I guess I’ll take his word for it. I did try to fact-check this with a friend who has been there and his response was that he remembers tramlines and a lot of tall dudes walking around. I … guess that checks out? More or less, anyway.

Following their first song, McCullough greeted the crowd with a simple yet straightforward “What the fuck is up?” followed quickly by a bit of advice for everyone that they’d “better move the fuck up here” as he motioned for the crowd to move a little closer. And of course, they did – with the presence of a Black Flag-era Henry Rollins who’s cultivated a strong sense of the absurd, this is a man you listen to. McCullough further broke down barriers between band and audience when he pushed a monitor aside early on in the set – for more ease of movement, sure, but the gesture also helped to send a clear message about the kind of show this was going to be.

One of the highlights of the evening came partway through their set, when the band launched into “Starting All The Dogs Off” from the new album. “It’s a bit of a slow build, but stay with us. Do you trust us?” McCullough asked the crowd. And that’s when the bowling pin made an appearance.

I’m not even sure how it happened, or why. All I know is I looked down for one second and when I looked up, there was a bowling pin. Yes, a bowling pin. McCullough was not just holding this bowling pin, but fully cradling it as he sang – he even appeared to be serenading the pin directly at a couple of points. What was going on exactly? Was the pin meant to symbolize something? Was it a souvenir taken from the alley one night after bowling a particularly good game? No idea, but hey, sometimes you’ve just got to go with the flow and accept that, on rare occasion, bowling pins can show up at the punk rock show. To quote that kid from Magnolia, this is something that happens.

Also something that happened? CIVIC put on a fantastic, high energy show. Not bad for a Monday night.

Song of the Day: The Spinanes – Sunday

Posted on
15 Jun 2025
by
Paul

It’s Sunday. Often a day reserved for a little rest and relaxion, possibly a bit of reflection if you’re in a pensive mood. “Sunday” is also the title of a song that’s been in fairly regular rotation for me as of late, from a long gone ’90s band that I’ve only really started getting into quite recently – The Spinanes.

Started back in 1991 by Rebecca Gates and Scott Plouf, The Spinanes put out three albums and one EP before ultimately calling it quits in the early 2000s. Plouf also played with Built to Spill for several years while Gates continued on as a solo artist following the band’s dissolution but doesn’t appear to have done too much in recent years.

As I said, I’d never really listened to The Spinanes the first time around and only delved into their discography after a random purchase on their 1993 debut album Manos on CD for just a dollar – yes, I do still own a CD player and yes, this was a very solid purchase.

Check out the video for “Sunday” below.

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