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SXSW Review: Sweeping Promises, Holy Fuck, Annabelle Chairlegs, Two-Man Giant Squid, The Courettes, March 15, Hotel Vegas

Posted on
20 Mar 2025
by
Paul

“Is it safe to say that this is the best venue at SouthBy?”

So said Sunflower Bean bassist/vocalist Julia Cumming as she addressed the crowd at Hotel Vegas during their Thursday night set and I must say that I do agree with Cumming’s assessment of Hotel Vegas, though I do have a few other faves that might possibly tie it for first place in the “best SXSW venue” contest.

It is a special place though, with its own unique vibe. I too have seen many great shows there over the years and this year, I may have spent more time there that at any other venue, spending at least a bit of time there for all but one of the days I was in Austin. And on the final full day of the festival, we spent pretty much the entire evening there as well as a bit of the afternoon, taking in some solid performances from The Courettes, Two-Man Giant Squid, Annabelle Chairlegs, Holy Fuck, and Sweeping Promises.

Danish/Brazilian garage rock duo The Courettes always put on a fun show full of ’60s-inspired sounds and plenty of rock n’ roll swagger. Joking that they’d just arrived that morning (they’d been in Austin for days by that point) and that they’d driven all the way from Denmark, the duo of Flávia Couri and Martin Thorsen put their all into their mid-afternoon performance, culminating in Couri crowd surfing while playing guitar before jumping back on stage to finish off the set. All while wearing heels, no less.

Returning to the venue later in the evening, we crammed into the crowded indoor room at Hotel Vegas to take in some dance punk from NYC’s Two-Man Giant Squid, who reminded me at times of LCD Soundsystem, most notably on “I Was a DJ in 2015.” Following that, it was back outside for locals Annabelle Chairlegs, who impressed even though we only caught the tail end of their set. Perhaps the most musically impressive performance of the night though came from Toronto four-piece Holy Fuck, who delivered a mind-blowing set of dancey psych/electronica.

Up next was Lawrence, Kansas-based post-punk trio Sweeping Promises. The band put on an impressive show, but the most memorable moment in their set was not a musical one, but a bit of stage banter from the excellently named Caufield Schnug. Taking to the mic between songs, he commented on how he used to live in Austin until it “became unliveable,” later going on to talk about how back in the day, creative types used to be able to find rent for $100 – $300, work a part-time job and be able to spend the rest of the time making music or art or whatever. This had us at first wondering when exactly this would have been, whether he was somehow secretly a really well-preserved 60 year old, and what exactly these $100 spaces might have looked like. Regardless, as a Torontonian, I could relate to the concept of outrageously high rent.

Sweeping Promises would end up being the final act of the night for us – I would have loved to have also taken in sets from Egyptian Lover and Cloth, but alas, a week of shows takes its toll on you and i was starting to fade. Still, all in all, a solid night of music at Hotel Vegas.

SXSW Review: St. Vincent, Twin Shadow, March 14

Posted on
19 Mar 2025
by
Paul

While I still had a fun time there this year, it’s an undeniable truth that SXSW is not quite what it once was. Long gone are the glory days of Fader Fort, Hype Hotel and an abundance of big name acts playing throughout the week.

Ever since Covid, and probably even slightly before that, SouthBy has definitely felt a bit smaller in scale. But despite that, there’s still a lot of cool stuff going on throughout the week. And the Friday of the festival was the day that felt the most like a throwback to the old days, with great shows all day, including two unique performances from St Vincent and Twin Shadow. 

St. Vincent @ Rivian Electric Roadhouse

A surprise “secret” show from St. Vincent on a Friday night that also features an open bar? Sure, why not?

To close out the Rivian Electric Roadhouse, Annie Clark took to the stage to perform a special stripped down set that saw her joined by a pianist for the duration. The absolute highlight of her set was a performance of “New York” that also saw her slip into a bit of Meat Loaf’s “I’d Do Anything for Love (But I Won’t Do That),” adding a bit of editorial commentary as she asked, “what the fuck is that?” after singing the chorus. It’s true, Mr. Loaf never did quite specify exactly what ‘that’ is in his song.

Also, because this show was sponsored by an electric car company, there was a car parked on either side of the stage, making it seem a little like we were watching a concert from a showroom. Maybe in a way we were. Either way, we decided to sit down in the front seat of one of the cars for a bit of her set, giving it a bit of a drive in theatre feel. Luckily for everyone, we resisted the urge to honk the car horn during the show. That would have been poor concert etiquette for sure.

Twin Shadow @ Central Presbyterian Church

Taking to the stage of the Central Presbyterian Church, Twin Shadow’s George Lewis Jr. addressed the crowd, announcing that this show would be focusing on his latest album Georgie, just freshly released earlier that day.

“We’re gonna play most of it, so if you came to hear old stuff … go fuck yourself. Just kidding,” he added, noting that he probably shouldn’t be saying such things in a church. Happily, he wasn’t struck down on the spot for blasphemy and he also didn’t stick exclusively to just the new album, throwing in a few old crowd pleasers like “Five Seconds,” though, to be fair, I would have been ok with a show focusing exclusively on the new stuff.  

Much like St. Vincent did earlier in the evening, Lewis delivered a stripped back set alongside a single accompanist, in this case a pedal steel player, who added a lot of cool texture to moody tunes like “Funny Games” and “As Soon As You Can.” Lewis announced that this was only their second time ever playing these songs live, and they sounded fantastic, with the church setting and the lava lamps surrounding the stage only adding to the mood.

SXSW Review: Voxtrot, March 14, Mohawk

Posted on
19 Mar 2025
by
Paul

During their set at the Brooklyn Vegan showcase on Friday night, Voxtrot singer/guitarist Ramesh Srivastava thanked the longstanding blog for giving them a big boost in the early days that probably helped to cement their reputation as one of the quintessential bands of the blog rock era.

Voxtrot has long been a Panic Manual favourite. We caught the band a few times back in the day, but after releasing a handful of EPs and just one full length album, they broke up, Ramesh started a solo career, and it seemed like that would be it for the band. But no, they got back together a few years ago and we were lucky enough to catch them at Stubb’s back in 2023. Now two years later the band was back at SXSW and playing another legendary Austin venue, Mohawk. 

Taking to the stage following an intense and heavy set by UK punks Maruja, Voxtrot started things off strong with “Raised By Wolves” and kept the good vibes going from there with more classic tunes like “The Start of Something” alongside a handful of newer tracks that the band have released over the past couple of years. As longtime fans, this was one of our most anticipated shows at SXSW this year and Voxtrot did not disappoint. And the fact that there are new Voxtrot songs being released is a good sign that there’s a chance of them putting out a new album at some point. Could this be … the start of something? Let’s hope so.

SXSW Review: Amiture Music, March 14, Hotel Vegas at Volstead

Posted on
18 Mar 2025
by
Paul

Keep Austin Weird is a slogan that, according to Wikipedia, has been going around Austin for about 25 years and has certainly been a well-established part of the city’s identity long before I started coming for SXSW. So, in my mind, while SXSW has always seen a place to take in all kinds of music, I always try to see something that’s a little more ‘out there’. And as I took in my final set of the evening at Hotel Vegas at Volstead, NYC quartet Amiture Music certainly fit that bill.

Describing themselves in their bio as “four normal guys making crazy music,” Amiture Music is the brainchild of Jack Whitescarver. Bringing together elements of noise, post-punk, industrial, and more, Amiture Music put on a bracing and enjoyable performance that helped to keep me going after a long day of music.

SXSW Review: Perennial, Snacktime, jasmine.4.t, Peelander-Z, March 14

Posted on
18 Mar 2025
by
Paul

While it’s always good to have a plan when going into these kinds of events, one of the great things about SXSW is the element of surprise and the joy of pure discovery that comes along with randomly walking into a show cold and coming away pleasantly surprised. Sure, it’s a bit of a crapshoot, but if the SouthBy gods are smiling upon you, that roll of the dice just might pay off. And on the Friday afternoon, it did indeed pay off, with sets from Perennial, Snacktime, jasmine.4.t and the legendary Peelander-Z standing out as the highlights

Perennial @ High Noon

In their bio posted on the SXSW site, Perennial are described thusly: “Perennial is an art project: Mod pop, post-hardcore, 60s soul, ambient electronic music, midcentury design, abstract expressionism, French New Wave cinema; it’s all collage material for Perennial.”

That’s a fair description of the band’s sound but most importantly, the Hartford-based band delivered a well-needed blast of energy that got me going in the early afternoon. And what’s more, they also delivered an important message to the audience, with singer/guitarist Chad Jewett speaking of the importance of looking out for and taking care of each other, particularly those who might be most vulnerable in these strange times. He also told us to tip our bartenders well if we were drinking, or even if we weren’t drinking.

Snacktime @ Yeti Flagship

Philadelphia’s Snacktime put on one of the most fun and engaging sets of the whole week and were perhaps the most purely random discovery of the day as we only walked in because we were nearby after having a massive lunch of brisket and ribs. As full as we were though, we made room for Snacktime and the seven-piece funk band delivered, putting on a fantastic show.

When you walk into the venue and the band setting up is all wearing matching basketball jerseys with their name emblazoned across the front, that’s a good sign. When said band noticeably has a lot of horns and a couple of synths as part of their setup, that’s also a good sign. When they then go on to play a song devoted to the pleasures of smokin’, drinkin’ and talkin’ shit? Hell yeah, that’s a good sign. And when the venue is air conditioned on a hot Austin afternoon? To quote the late great Carl Weathers, baby, you got a stew going!

jasmine.4.t @ Radio Day Stage

OK, this one’s a bit of a cheat as, having read up a bit on her and listened to a few tracks before heading to SouthBy, jasmine.4.t was not entirely a new discovery, but that element of surprise was certainly still there during her set, most notably in the surprise appearance of Julien Baker during her set. Baker (who played a set earlier in the week alongside Torres in advance of their upcoming collaborative album) joined jasmine4.t and band during their set, joining the band for “Skin On Skin” and, perhaps most surprisingly, an absolutely kickass cover of System of a Down’s “Toxicity.” Musically, the rest of her set was decidedly mellower in tone, though no less engaging.

Peelander-Z @ Zilker Brewing

Peelander-Z was not at all a new discovery, but as we walked past Zilker Brewing on our way back to the hotel with a couple of water ices from Jim-Jim’s in hand, it was definitely a nice surprise to see Peelander Yellow and co. were just about to take the stage. The band has been a mainstay at SouthBy for many years now, with their chaotic children’s-show-meets-punk-rock vibe always making for a fun show. I first caught the band back in 2012 and was happy to see that, while they’ve continued to add to their repertoire over the years, they’ve retained a lot of their old shtick. As usual, good times.

SXSW Review: Steve Wynn, March 13, St. David’s Historic Sanctuary

Posted on
17 Mar 2025
by
Paul

After dealing with some cord issues that were quickly sorted out, Steve Wynn humbly addressed the crowd, announcing, “Yeah, I’m ready to start. Class is in session.” And what followed was indeed a masterclass in storytelling.

Wynn’s current live show is based around his recently released memoir, I Wouldn’t Say It If It Wasn’t True: A Memoir Of Life, Music, And The Dream Syndicate. And on Thursday night at SXSW, the Dream Syndicate frontman took to the stage at St. David’s Historic Sanctuary to perform what was less a rock concert and more a one-man show. That show saw him telling stories from throughout his life (though mostly focusing on his younger days), from the times before he was famous to tales of notable folks he’s crossed paths with, including a young Michael Jackson and Big Star frontman Alex Chilton. These stories were then punctuated by songs, either his own (“The Days of Wine and Roses” was a standout) or covers of songs from bands like The Rolling Stones and The Velvet Underground that were an important part of his backstory.

Wynn is quite an engaging storyteller, spinning a tale in a way that almost makes you feel like you were there. One of the most memorable moments of the night was when he told a story about tracking down Alex Chilton back in the day and buying him beer and cigarettes at Chilton’s favourite dive bar. He followed that up with a solid performance of Big Star’s “Jesus Christ,” remarking that it was the first time he’d played that one in an actual church. He would later go on to add, “I feel like a preacher up here. This is wonderful.”

Another highlight was a beautiful version of The Velvet Underground’s “Sunday Morning” which he followed by expounding on how cool and original they sounded when he first heard them back in the day. This, of course, led him down the path that many devoted music fans go down – getting into the most obscure bands possible. As he spoke of his love of bands like The Velvets and Big Star, it was really kind of lovely to hear him talk about music in this way. The bands he was discussing are now, of course, well established legends, but the way he described them made me wish I could discover them all over again and dig deep into their catalogues for the first time.

Steve Wynn’s performance was a definite highlight of the entire week and one of the most memorable shows I’ve seen in all my years going to SXSW. Just one man, his guitar and a bunch of great stories.

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