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Project Nowhere Review: The Armed, October 3, Nineteen Seventy Eight

Posted on
6 Oct 2025
by
Paul

As the sweaty masses exited Nineteen Seventy Eight on Friday following The Armed‘s headlining set on the second night of Project Nowhere, I overheard one concertgoer say that this was the best show he’s seen all year. And though I’m not sure I could commit to making such a bold statement myself, I can certainly admit that this was a definite contender. Simply put, the energy at this show was insane. 

“It’s a little … It’s real fuckin’ hot,” said vocalist Tony Wolski early on in their set, adding, “We’re not a talk-between-songs kinda band but tonight we’re a talk-between-songs kinda band.” 

And yeah, with the crowd packed into the venue, things were getting a little sauna-like, so it’s entirely understandable that the band wasn’t going full throttle all night. They did still go pretty hard though, and it made for a fantastic show, with the band’s other vocalist Cara Drolshagen going particularly hard throughout the whole show. Seriously – it seemed like she was crowd surfing while simultaneously singing for about half the set.

Touring behind their latest album The Future Is Here and Everything Needs to Be Destroyed, the Detroit-based collective put on an absolutely thrilling performance that really encapsulated their anything-goes approach and brought to mind the same kind of adventurousness that brought about albums like Refused’s The Shape of Punk to Come. The crowd was loving it and despite some sound issues (I believe they blew out a bass amp), The Armed seemed to be relishing the opportunity to not only play before a hyped-up crowd, but also to play a show in a decidedly non-corporate venue like Nineteen Seventy Eight, where their stage was a literal halfpipe.  

“Fuck Live Nation, fuck all that shit,” exclaimed Wolski before adding, “50% less bass but 100% more good times.”

Good times indeed. 

Project Nowhere Review: Gus Englehorn, Ribbon Skirt, October 2, Nineteen Seventy Eight

Posted on
6 Oct 2025
by
Paul

Project Nowhere – the Little Portugal-based festival with a focus on underground music in its many forms – is now in its third year. And just like in previous years, the festival offered up a very well-curated lineup, with such notable names as No Joy, Water From Your Eyes, Johnny Jewel, and Warmduscher performing at venues along the Dundas West strip. For the festival’s first night, I started off at Nineteen Seventy Eight (aka Expo Vintage Clothing during daylight hours) for a pair of memorable sets from Gus Englehorn and Ribbon Skirt

Starting things off with a song that opens with the line “I awoke in a pit with a man staring down at me,” Gus Englehorn had my attention from the get go. From that moment on, the audience was treated to a truly unique performance. It quickly became clear that the Alaska-born, Montreal-based singer is a quirky performer – quirky, but charming. With a sound reminiscent of Jad Fair and Daniel Johnston, Englehorn and drummer Estée Preda delivered a fun, engaging set that kicked off Project Nowhere on a high note for me.

And while he may have initially grabbed my attention with his opening number (“The Gate”), Englehorn kept my attention with the songs that followed as well as his entertaining and amusing stage banter. At one point, he referred to a stream of spilled water threatening his pedalboard as being “like a St. Lawrence,” and when introducing “Metal Detector”—a song inspired by his brother, a detectorist who was apparently featured in The New York Times—he quite plainly stated, “I don’t know if I remember how to play it though.” But the real gem came when he reflected on the fact that was his first-ever Toronto show, following a sparsely attended gig in Hamilton the night before.

“I’ve never been to Toronto in the summer. And it’s pretty nice.” When Preda correctly pointed out that it was, in fact, Fall, Englehorn quickly came back with, “I’ve still never been to Toronto in the summer.” Touché.

Following Englehorn, Montreal’s Ribbon Skirt took to the stage to play a bracing set in support of their debut album, the Polaris-shortlisted Bite Down. Singer/guitarist Tashiina Buswa made the most of the space, even with part of the venue fenced off, moving amongst her bandmates and really belting it out as they tore through a set of tunes off the album as well as one newer track off their PENSACOLA EP, set to be released the following day.

With tunes like “Earth Eater” and “Off Rez” standing out as highlights, Ribbon Skirt put on an impressive performance, thus helping to start Project Nowhere off on a strong note.

TIFF Review: OCA (Karla Badillo, 2025)

Posted on
4 Oct 2025
by
Paul

What does it mean to have faith? That’s the question that OCA delves into with its tale of young nun Rafaela, who embarks on a quest to find the new Archbishop and ask for his help in saving her faltering congregation.

Early on, we see that Rafaela herself is having a crisis of faith, spurred on by her perhaps prophetic dreams. God doesn’t make mistakes, one of her fellow nuns tells her. “He doesn’t make mistakes,” she replies, “But maybe He changes His mind.” But while Rafaela may be having her doubts, to borrow a phrase from The X-Files, she wants to believe.

As the film follows its protagonist on her journey, director Karla Badillo examines the notions of faith and perseverance through Rafaela’s interactions with an assorted cast of characters she meets along the way, including a well-to-do woman, a group who are also on a pilgrimage to see the Archbishop, and a soldier who’s having his own version of a crisis of faith – as he’s told by a superior to follow orders (which come “from above”) and not ask questions, the parallels between his story and Rafela’s become evident.

In many way, Rafaela’s quest to find the Archbishop is akin to a more grounded version of Dorothy’s journey along the Yellow Brick Road in The Wizard of Oz. In both cases, a young woman sets off in an unfamiliar land in the hopes of finding the man who she hopes can solve all her troubles, meeting several colourful characters along the way. However, Dorothy Gale never faltered in her belief that she needed to make it home to Kansas whereas Rafaela, for all her talk of God’s plan, remains full of doubt on whether those plans could change. And the solution to all of her problems won’t be as simple as clicking her heels together.

Song of the Day: Kasabian – Hippie Sunshine

Posted on
30 Sep 2025
by
Paul

“Hippie Sunshine” is the latest single from Kasabian, taken off their upcoming album Act III. Check it out.

Concert Review: Dark Angel, Hirax, September 28, Phoenix Concert Theatre

Posted on
29 Sep 2025
by
Paul

On Sunday night, California thrash metallers Dark Angel took to the stage at The Phoenix alongside fellow ’80s thrashers Hirax and relative newcomers Void as part of the tour behind their latest album (and first since 1991) Extinction Level Event. Not only was Dark Angel touring behind a new release for the first time in over 30 years, it was also the band’s first tour across North America in quite some time.

As such, you’d imagine the anticipation amongst fans would have been high, and while there were definitely a few hardcore fans front and centre, the show was sadly a little underattended, with a relatively sparse crowd making it out. Chalk that up to an aging fanbase, a Sunday night show, and a glut of recent metal shows forcing people to make some tough choices – I’d wager more than a few who skipped this show were resting up so they could take in the Judas Priest and Alice Cooper show the following night.

Still, Dark Angel made the most of it regardless, giving their all for a solid performance that included classics like “Darkness Descends” and “Death is Certain (Life is Not)” as well as newer tunes like “Apex Predator” and “Woke Up to Blood.” Vocalist Ron Rinehart also made full use of the extra space, roaming into the crowd during several songs to get up close and personal and connect directly with fans.

Rinehart pointed out that all the band members up on stage were the same guys who’ve played in the band since 1987, with the exception of guitarist Laura Christine, who replaced the late Jim Durkin. Durkin, who passed away in 2023, made his final songwriting contributions to the new album, including the title track, which was dedicated to him during the performance. The whole band sounded great, but special mention must be given to the band’s not-so-secret weapon – drummer Gene Hoglan.

“The Avengers have an Incredible Hulk, I have an incredible Hoglan!” quipped Rinehart at one point and he’s not wrong – Hoglan is a powerhouse drummer who’s also played with everyone from Testament to Death to Dethklok and is indisputably one of the GOATs of metal. Seeing Hoglan in action is never not impressive.

Also impressive were Hirax, who arguably stole the show with a blistering performance that drew from throughout their career, stretching back to 1985’s Raging Violence all the way up to this year’s Faster Than Death. While Dark Angel has kept most of their classic lineup intact, Hirax frontman Katon W. De Pena is the lone original member, surrounding himself with a bunch of young guns and running through songs like “Hate, Fear and Power” and “Destroy” with the energy of a man half his age.

All in all, it may not have been a packed house, but those who showed up were treated to a night of thrash done right – loud, fast, and unapologetically old school.

Concert Review: Maruja, September 27, Phoenix Concert Theatre

Posted on
29 Sep 2025
by
Paul

This past March, during SXSW, I saw Maruja twice. Well, sort of. On each occasion, I walked in just at the tail end of their set, only catching a few minutes the first time around and maybe a couple of songs at the second show. But even with just a brief glimpse of the band, the power and intensity of their performance shone through. In concert, Maruja are a formidable force. 

Now, months later, with the band back on tour in North America again (and in a significantly larger venue this time around after selling out The Garrison the last time they played Toronto) I was determined to finally get the full Maruja experience, taking in their Saturday night set at the Phoenix Concert Theatre alongside Kingdom of Birds. They did not disappoint.

Drawing from a wide range of influences, Maruja offers up a heady sonic brew with a sound that brings together the attitude and intensity of Idles, the fury of Rage Against The Machine and heavy jazz/psych vibes of The Comet is Coming. Touring behind their debut full-length Pain to Power, the Manchester four-piece put on a passionate performance that saw them running through heavy numbers like “Break the Tension” and “Look Down on Us” alongside mellower, more contemplative fare such as “Saoirse,” with its refrain of “It’s our differences that make us beautiful” helping to drive home the band’s core message.

“We may seem aggressive, but our message is one of peace and solidarity,” said singer/guitarist Harry Wilkinson towards the end of their set before asking the audience to join him and the band “in raising a fist for solidarity. And for love!”

The crowd, of course, complied and as we all stood there in silence, fists raised, I reflected back on another show just over a year before this one, when Idles played for a packed house at Coca Cola Coliseum. In my review of that show, I commented on the band’s “aggressive yet joyful and positive energy.” It’s an energy that’s also present in Maruja and one that made for a memorable and cathartic performance.

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