Skip to content
  • Home
  • About Us
    • Derek
    • Gary
    • Halley/Celeste
    • Paul
    • Ricky
    • Vik
  • Concerts
  • Reviews
    • Albums
    • Venue
    • Movies
    • Year End Reviews
  • Festivals
    • Canadian Music Week
    • Hot Docs
    • North By Northeast
    • Planet in Focus
    • Primavera
    • South By Southwest
  • Contact Us
Menu
  • Home
  • About Us
    • Derek
    • Gary
    • Halley/Celeste
    • Paul
    • Ricky
    • Vik
  • Concerts
  • Reviews
    • Albums
    • Venue
    • Movies
    • Year End Reviews
  • Festivals
    • Canadian Music Week
    • Hot Docs
    • North By Northeast
    • Planet in Focus
    • Primavera
    • South By Southwest
  • Contact Us

Concert Review: Apparat, May 28, Lincoln Hall

Posted on
29 May 2012
by
Celeste


If I had to describe the Monday night Apparat concert at Lincoln Hall in one word, my first choice would be delightful. Second choice would be charming. Third choice would be surprising. Although I know I shouldn’t stereotype bands based on locale or genre, Apparat was not what I was expecting from a German techno group. Instead of a thumping bass, neon lights and four stoic band members, the crowd was treated instead to a stage decorated with little lights that flashed in time to the music and gave the impression of well-synched fireflies, a lighting system that brought to mind the scratchiness of an old newsreel, and four quiet but charismatic musicians. Most endearingly of all, the four of them lined up at the end of the concert and took a bow. Love.

No one song stood out to me, but the entire set was solid, with a rich and varied feel to it, and the last song of the night ended with a rain sound that brought to mind the days of elementary school when our teacher had us make rainsticks out of paper towel tubes, toothpicks and rice (a collective “oh yeah” memory or just me?) although I’m sure the band’s rain-sound producing instrument was a little more high tech. Overall a surprisingly charming and delightful concert – go see these guys if you get the chance.

Album Review: Krief – Hundred Thousand Pieces

Posted on
29 May 2012
by
lauren

The Dears have always been an operatic band. You can picture their songs at integral moments in cinema, or when picturing the soundtrack to your life, which according to Krief is a deliberate process (he has previously worked scoring films). Patrick Krief’s full length solo album is no different. It pulls on the heartstrings like no other; it swallows you whole as you get lost in the beauty and heartache he emotes so perfectly. There are moments where it feels like the guitar solos are singing the song, “gently weeping” as the Beatles so eloquently put it.

Every song on this album has what I can only describe as a large, theatrical sombre sound to it. The guitar packs as much emotional punch as the lyrics, as if it were a limb, an extension, like a musical instrument should be to a true musician. With lyrics like “when you left me broke and alone, here I am, lost in Japan”, it has the sadness of wandering through one of the largest cities, surrounded by people yet still feeling completely isolated and alone.

Krief stated in the bio on his website that during the writing of this album, “I was in the darkest place I had ever been in” and that he had to cease recording for several months. Citing the fear of growing older, and making a living out of a career where you are almost guaranteed to make little money (especially with technology and downloading today), it’s relatable on the easiest of levels. Most of us fear growing old, most of us fear being alone and we’d be lying if we said we didn’t think about finances and career choices at least once a day. So kick back, pick up Hundred Thousand Pieces and create your own Cameron Crowe film soundtrack to your life.

Song of The Day: Django Django – Default

Posted on
28 May 2012
by
lauren


Default has this bad ass guitar to it, it sounds like riding out on a horse to meet the cavalry. With the harmonizing vocals, that steady drumbeat with tambourine and subtle punching electronic sound filling the song, Default takes bits and pieces of different genres and makes it something entirely its own. Hailing from London, UK, Django Django released their first full length, self titled album February 21, 2012, three years after releasing their first single. I’ve heard, like cilantro, they’re a love or hate them band, no middle ground. I don’t know if that’s true or not, but I certainly fall on the love side of that argument, (not cilantro though… disgusting). Django Django recently performed on “Later…With Jools Holland.” The performance was a little shaky, however after the extensive touring they’re doing, I think we can expect a great live show very soon.

Concert Review: Maps and Atlases, May 23, Rock And Roll Hotel

Posted on
27 May 2012
by
halley

maps and atlases panic manual concert review

So many magical moments at the Maps and Atlases concert at Rock and Roll Hotel on May 23. Seriously,
though, several mythical never-before-seen phenomena transpired, including:

1) The perfect set-list. The band covered songs old and new, soft and loud, slow and fast. Long-
time and newly won fans rocked out together to Fever, Old and Grey, and Winter among
others from the band’s new album “Beware and Be Grateful.” Old-timers rocked out and new
fans pretended to know the words to the band’s older classics, including The Charm and Solid
Ground from “Perch Patchwork.”

2) Lambs laying down with lions. OK, so maybe not literally, but it was one of the most
heterogeneous crowds I’ve seen at the Rock and Roll Hotel hipster mecca in a while. Preps
mingled with hipsters mingled with grunge mingled with preteens. NBD. My favorite moment
was when some beautiful blonde prep complimented the hipster next to her on his overalls (he
was wearing suspenders).

3) The good guy getting the girl (and boy). Every one of the four members of Maps and Atlases
seemed to be just the nicest, laid-back, most soft-spoken types you could imagine. But the way
the crowd reacted to them was like they were Bieber-meets-Rihanna-wrapped-up-in-Ke$ha.
Total rockstars. Their reactions were so cute too – lots of humble nods, little smiles, and the
occasional fist pound with an eager fan.

4) Religious experiences. So, I don’t pretend to know much (or anything) about the actual skill
sets involved in playing any instrument, but the way the fans around me were talking about
the drummer were in almost Biblical terms. I heard him described as ‘the second coming’ of
John Bonham (the drummer from Led Zeppelin); fans loved the fact he was rocking out without
shoes; and he was also described as the ‘shepherd’ of the band by some guy in the crowd who I
took to be a Maps and Atlases expert given his hair and glasses were carbon copies of the lead
singer’s.

5) Chivalry not being dead. Going to concerts alone is one of the few things I like to do solo (you
wouldn’t catch me dead alone in a restaurant/bar/café) – for some reason I have no shame just
hanging out by myself in the back of the venue. But at this particular show I was lucky enough
to be spotted by a super nice guy who’d seen Maps and Atlases several times before, and who
would not let me hang out in the back. Instead, he fought his way to the front with me in tow –
and I have to admit it made the entire experience a whole lot better (so thanks to you, wherever
you may be!)

Is it worth seeing Maps and Atlases? Absolutely. While I can’t guarantee you’ll experience all five of
the afore-mentioned marvels, you have a pretty good chance of enjoying at least one, right?

Concert Review: Jesus and Mary Chain, May 23rd, Rotunda 3, KITEC, Hong Kong

Posted on
25 May 2012
by
Ricky

Playing essentially the same set list from their South By Southwest showcase, legendary Scottish band Jesus and Mary Chain played a show that illustrated perfect examples of what is best and worst about these types of reunions.

The Jesus and Mary Chain played Rotunda 3 in the KowlownBay International Trade and Exhibition Centre, which is basically a glorified mall. In case you were wondering, Rotunda 3 is not the name of some cool bar, it’s actually the third rotunda on the 6th floor of the building. It’s essentially a circular hall used probably for trade shows.

One of the great things about anywhere not in North America is the ability to drink anywhere. Pre drinking for me and others all included raiding the 7-11 on the first floor and buying some drinks and casually ride the escalators up while drinking at the same time. Here is a price comparison:

7-11: 2 x 330 ml San Miguel: 13.5 HKD
Inside: 1×330 ml some beer: 30 HKD

That’s how it should be done. The crowd was pretty balanced. I would guess that about 1200 people were at the show and 600 of them were white. The rest appeared to be a combination of Chinese hipsters and Chinese people who probably grew up in England or Australia or North America. Why did I give you a racial breakdown of the show? Because I’m racist.

When the lights dimmed, it didn’t matter what your skin tone was because the excitement for the band was universally off the charts and the group came out to a massive applause. With a bit more stage room to work with than Austin, I was pleasantly surprised at the inclusion of a giant cross of lights that dominated the stage’s lighting structure. Jesus indeed.

Not one for talk, Jim Reid and the band quickly launched into the pulsating guitars that announced the arrival of the track Snakedriver. Head On soon followed and the crowd was loving it – people were dancing, jumping up and down and just losing their shits in general. The anticipation of the next track, the self doubt about whether or not it’s the one you wanted to hear and then the elation that follows when it actually is the song you wanted to hear are the greatest things about concerts. If that concert just so happens to be a band that you’ve waited all your life to see, well then, its one reason why bands like Jesus and Mary Chain and others should continue to tour.

Now onto the bad side. For me, the show started being not so good during the hit track Some Candy Talking. One of the most iconic songs from the Jesus and Mary Chain discography, it should have been one of the defining moments of the show. However, something was terribly off. Jim Reid seemed to be singing one version of the song while his brother seemed to be playing a different version. It seemed like they were going at a different pace. To say it was a bit disappointing was an understatement . There were other sequences of the show in which the bands appeared to be completely different pages, climaxing with three full restarts and a band meeting for the track Halfway to Crazy. This would be excusable in March but after so many tour dates you would figure that it’s be sorted out.

Luckily, the band got it together for their most popular track – Just Like Honey. A short encore followed and the fans left happy.

Jesus and Mary Chain the second time around was a mixed blessing. On one hand I got to see a band I really like and do something most people don’t get to do, but on the other hand I felt like it could I’d been better. Still, legends like this don’t come around too often so you should probably go.

NXNE Song Of The Day: Andre Williams & The Sadies – I’ll Do Most Anything For Your Love

Posted on
24 May 2012
by
Celeste


My 12th grade English teacher once made the statement that modern music lacked vitality. In her words, when she turned on the radio in her time, “a revolution came out of the speakers” whereas she thought that contemporary music was frivolous and shallow. While I disagree with her (I defy anyone to listen to the likes of Andrew Bird or Fleet Foxes and call them frivolous and shallow), I do think there’s much to be gained by collaboration between older and younger artists, and I think that the collaboration between Andre Williams and The Sadies is a perfect example. The Torontonians and the Midwesterner teamed up for the album “Night & Day”, and they’ll be playing together at NXNE. 

“I’ll do most anything for your love” is a nice sample from the album, with the Sadies supplying the alt-country infused instrumentals while Williams brings it home with his infectious and surprisingly moving lyrics/rhyming couplets. My only judgment against the song is that I had to listen to it a couple of times before I stopped expecting Meatloaf to bust in and end the line with “but I won’t do that.” The group is playing at the Legendary Horseshoe Tavern June 15th if you like what you hear.

Page1 Page2 Page3 Page4 Page5

SEARCH

FOLLOW US

Facebook Twitter Flickr Foursquare Rss Inbox

THE PAST

Archives

TAGS

Tags
British Music Embassy (10) Canadian Music Fest (11) canadian music week (20) cmf (10) cmw (42) concert (9) el mocambo (9) fringe (26) Great Lake Swimmers (10) guelph (9) horseshoe tavern (23) hot docs (103) jazz (12) Joel Plaskett (10) jukebox the ghost (15) lee's palace (27) marina and the diamonds (10) Massive Attack (10) mod club (12) NXNE (94) of monsters and men (11) Phoenix (15) play reviews (11) Pulp (11) Roskilde Festival (17) rural alberta advantage (10) sharon van etten (10) suede (12) summerworks (34) SXSW (479) SXSW 2022 (11) SXSW 2024 (11) SXSW Online (18) the antlers (11) the cure (10) the national (10) the xx (11) Tokyo Police Club (9) Toronto (25) toronto fringe (14) Toronto Jazz Festival (55) turf (13) tweeview (10) Video (9) zeus (10)
The Panic Manual

We are a collective of individuals bringing you the latest in concert reviews, indie, britpop, Canadian, twee and all sorts of other music, movies, tv and everything else you like. Follow the manual to live a pleasant and fulfilling life.

All rights reserved