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Concert Review: Primal Scream, May 15, Danforth Music Hall

Posted on
21 May 2015
by
Ricky

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Having been around for just over two decades now, it’s easy to forget just how ambitious, creative and awesome Primal Scream is.

That is, until you attend their concert and get hit smack in the face with tracks that span from electronica to bluesy rock, all of them equipped with thunderous drive and Bobby Gillespies’s rock star swagger.

Primal Scream’s concert on Friday was a romp and a hit parade. A casual reminder that when they are on top of their game, few are better.

I had forgotten that, but now I remember.

I remember that cool sensation I feel when I hear the opening to Kill All Hippies (definitely my wrestling theme song if I was a wrestler)

I remember being at that dark rave that I was never at when the ear bursting beats of Swastika Eyes made me shake

I remember those dance cave moments, rocking along to set closer Rocks, which isn’t really about rocking out

I remember wandering across a desert, trying to decipher my life, listening to the simple beauty that is Higher then the Sun

Most of all, I remember to testify. even if I didn’t, Bobby did, as he warned the crowd. “Are you ready to testify?” Before launching into Movin On Up. a song so good and so well written you’ll know and love the lyrics before its all over.

I had never heard Moving On Up live before and man, what an amazing experience in person. An uplifting sing along that had everyone’s arms up. it was one of those moments.

At the end of the day, concerts are all about those moments. Primal Scream gave me several of those on Friday and that is all anyone can ask for.

Concert Review: Babymetal, May 12, Danforth Music Hall

Posted on
14 May 2015
by
Paul

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With their mix of J Pop and extreme metal, Babymetal are a totally gimmicky band. They’re also a total thrill to watch live.

The Japanese band, fronted by three teenage girls who first came together in the pop group Sakura Gakuin, took to the stage following a Star Wars inspired opening video which described them as “unifying the world with a new type of heavy metal,” and while that’s probably a bit of a stretch, they certainly seemed to unify those in attendance and it’s hard to argue that their blending of two disparate genres isn’t at least a little bit novel.

The audience was an interesting mix of people who were full on fans and the curious onlookers who wanted to see what all the fuss was about, though the former probably outnumbered the latter. There were  people clapping and chanting “Babymetal!” before the show had even started – it’s been awhile since I’ve seen that kind of fandom at a show. I even noticed a few people who seemed to be cosplaying, including a guy I saw on the subway ride home (who I assume was at the show) apparently dressed as a character from Fullmetal Alchemist. I’ve never seen that show before and know practically nothing about it, but I deduced all of this based on the fact that he was holding a Fullmetal Alchemist bag and had some kind of Powerglove looking metal hand thingie on his arm. I’m not really sure why he was wearing this; as far as I know, there’s no connection between that show and Babymetal other than the fact that they might appeal to the same demographic and that they both have the word “metal” in their names. It seemed a little odd but really, all of this seems a little odd to me. Then again, I once dressed up as Star-Burns for a Halloween party a few years back so who am I to judge?

Lead singer Suzuka Nakamoto (AKA Su-metal AKA  the one who always stood in the middle) had the best voice of the trio and highlighted it on a few solo turns throughout the night  – she’s obviously the Sporty Spice of the group. The other two (Yuimetal and Moametal) are full of energy and vital to the show but also essentially backup singers/dancers. Because they were moving around the stage so much, it was pretty clear that they weren’t singing live all of the time, but for the sake of a stage show like theirs, a little bit of lip syncing is understandable.

After playing for nearly an hour and a half (with a few breaks factored in during their set), the band bid the crowd farewell with a cheery sounding “See you!” right after buttering them up with lines such as “I had so much fun tonight!” and “I will always remember this night!” Not terribly metal as far as stage banter goes, and you’d probably never catch the guys in Mayhem or Gorgoroth saying stuff like that, but it was entirely appropriate for Babymetal and representative of their sugary sweet, cartoonishly cute take on metal.

Concert Review: Geographer, May 12, Lincoln Hall

Posted on
13 May 2015
by
Celeste

People tend to have a pretty evolved sense of flattering environments for themselves. Our generation has taken enough selfies that we know exactly which direction to turn, how much eyebrow to give, exactly how many pearly whites to flash to get that perfect shot/silhouette/pose. I don’t know if he does it on purpose, but Geographer‘s Michael Deni most definitely has that same sense of a flattering environment. His onstage set-up at Lincoln Hall on Tuesday consisted of a backlit stage with lights scanning up and down, lengthening and elongating the already beautifully lanky Deni from the tips of his shoes to the pouf at the top of his head as he moved and flowed and crooned over the synth.

Playing behind Deni was Duncan Nielsen on guitar, Cody Rhodes on drums and Joyce Lee on an incredible stripped down electric cello. As much as Deni’s silkily wandering falsetto creates that “pop music from outer space” vibe the band goes for, Lee’s electric cello gives it an eerie, spacey, ‘dropped in from the unknown’ feel even more. The group played from their new album Ghost Modern released this past March, kicking things off with the introspective and mournful “I’m Ready” and moving through some old favorites off of 2010’s Animal Shapes and 2012’s Myth.

Geographer’s set is an interesting mix of shimmering façade and heartfelt honesty. They bill themselves as “music from outer space” which is a great descriptor, but I think another one could be “brutally honest electro pop.” It’s not often that you get that mix of introspective self assessment with a pulsating beat and synth on synth on synth. To create something so honest, lovely, refreshing, weird and fun all at the same time is quite a feat.

Concert Review: Matt & Kim, May 11, 9:30 Club

Posted on
12 May 2015
by
halley

Matt & Kim

Everything about the Brooklyn-based duo Matt and Kim is madly, frenetically, amazingly, terrifyingly, gloriously energized. Anyone who’s heard their tracks recorded or seen their music videos would be hard-pressed to disagree. [Right now: Look up the “Lessons Learned” music video. Omigod. Stripping in Times Square in real time. In winter. Boss behavior. Note: not safe for work. So maybe not RIGHT now depending on where you are.]

Long story short, the pint-sized couple attack their instruments (and, in some videos, each other) with an unparalleled fever, fury and fervor that generate songs that are catchy, powerful, and bound to get your body moving and blood racing. Their rhythms have been described as “dangerously spastic,” and used to sell fast-paced cars, sugar-packed candy bars, and drinks meant to fuel action-packed nights.

Needless to say, I was pumped to see the two in action for the first time. I imagined they’d be incredibly animated, super happy, full of smiles. So what were they really? You know, for the first time in a long time, I’m absolutely at a loss for words. There’s just no way to do justice to the essence of Matt and Kim in a form as passive as writing. They’re unbelievable. Imagine a nuclear bomb exploding on a rocket ship placed on a motorboat being driven by a racecar. Visualize a birthday party of five year olds on a moonbounce fed nothing but sheet cake, 5-hour energies, and crack cocaine. Try running an ironman followed by an ultra-marathon finished with a tough mudder. That’s a tenth of the energy Kim alone has in her pinky finger. No, the nail of her pinky finger. The woman’s arms could crush a Mac truck. No sweat.

What I’m trying to say is, while I’ve honestly enjoyed other concerts more (liked the music better, thought the banter was higher quality, etc) Matt and Kim were, without question, the most explosive act I have ever seen. And they are so determined to elevate their audience to their same level – it’s incredible. And boy, does the crowd react. The duo got HUGE love from the sold-out 9:30 Club as they rocked the stage with tracks old and new – many from their recently released album New Glow. “Lessons Learned,” “Make a Mess,” and “Hoodies On” were probably my top three songs of the night. But the music was essentially background entertainment to the show that Matt and Kim put on. They threw confetti, they dance-partied, they climbed on instruments, they shouted, they cursed, they demanded crowd-surfing, they hyped, they screamed, they flexed, they threw out balloons, they “microscopic-titty-flashed” (well, Kim did) … they delivered.

My favorite part of the duo’s dialogue was Matt’s description of Kim’s warm up. Apparently, the woman battle-dances herself in a mirror before each show. Just dialing it up, dialing it up, dialing it up – by herself with herself. I just can’t fathom how that woman functions. But let me tell you, I’m glad she does.

If you’re thinking about seeing them: go. If you’re not thinking about seeing them: go. You will absolutely not experience anything like it anywhere else. They are the antithesis of FOMO – you’ll know you’re at the most fun spot in your city at that moment if Matt and Kim are in the same venue you are.

CMW Review: Fat White Family, May 8, The Horseshoe

Posted on
11 May 2015
by
Paul

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“You have no idea how much we suffer,” said Fat White Family guitarist Saul Adamczewski as they took to the stage. “Every day is the same.”

Whether he was expressing his ennui and existential angst brought on by the rigours of touring, or just referring to their issues with the sound at the venue (According to Adamczewski, they need a lot of reverb to cover up how “shit” they are), it was an amusing way in which to introduce themselves. And with introductions out of the way, the Fat Whites got right down to business, delivering a drunken, shambolic yet engaging show to a packed Horseshoe Tavern. Singer Lias Saoudi prowled about the stage like a man possessed – he definitely adheres to the “I am a golden god” school of rock performance techniques.

In terms of energy and attitude, Fat White Family definitely delivered. It wasn’t exactly the most polished performance, but that hardly matters – close enough for rock n’ roll and all that.

CMW Review: Gold Lake, FRANKIE, May 7

Posted on
11 May 2015
by
Paul

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During Gold Lake’s set at The Drake Underground, singer Lua Rios mentioned how happy they were to be in Toronto, even going so far as to refer to it as “our favourite city.” While most bands are probably buttering up whatever city they’re playing in when they say something like that, apparently these guys mean it. Inspired by a trip here for NXNE with a previous band, Rios and guitarist Carlos Del Amo decided to make the move to North America, relocating from their native Madrid to Brooklyn. Because Brooklyn is apparently just like Toronto? Who knows.

Rios’ soulful and spacey vocals were the focal point of their sound, floating atop the band’s lush, pretty pop. In reading a few other reviews of the band’s sound, I’ve come across the word “shimmering” as a descriptor and it seems fitting. The band has even made note of this, referencing it on their Bandcamp page: “Gold Lake shimmer, or so they say….”

From shimmering, we move to twinkling, namely the self-described “twinkle rock” of Vancouver based band FRANKIE. Though I’m not entirely sure what twinkle rock entails exactly, I suppose there is a certain twinkling, sparkling, perhaps even shimmering element to the band’s sound. With lots of instrument switching and three singers displaying strong harmonies throughout, they played an enjoyable set at The Paddock to a fairly full house. And while the term twinkle rock may suggest a certain lightness, there was also a bit of heft to their sound as well as a slightly dark undercurrent at times, both lyrically and sonically.

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