Skip to content
  • Home
  • About Us
    • Derek
    • Gary
    • Halley/Celeste
    • Paul
    • Ricky
    • Vik
  • Concerts
  • Reviews
    • Albums
    • Venue
    • Movies
    • Year End Reviews
  • Festivals
    • Canadian Music Week
    • Hot Docs
    • North By Northeast
    • Planet in Focus
    • Primavera
    • South By Southwest
  • Contact Us
Menu
  • Home
  • About Us
    • Derek
    • Gary
    • Halley/Celeste
    • Paul
    • Ricky
    • Vik
  • Concerts
  • Reviews
    • Albums
    • Venue
    • Movies
    • Year End Reviews
  • Festivals
    • Canadian Music Week
    • Hot Docs
    • North By Northeast
    • Planet in Focus
    • Primavera
    • South By Southwest
  • Contact Us

Concert Review: Frank Turner, July 28, Double Door

Posted on
29 Jul 2016
by
Celeste

Frank Turner: “I’m going to tell you guys a story. It’s set in Australia.”

Crowd member whoops.

Frank Turner: “Oh that’s great. Are you Australian, or are you just excited? Essentially the same thing I guess.”

Frank Turner brought his magnetic stage presence and his best stories to the stage Thursday night at the Double Door for a Lollapalooza aftershow. That particular opening was to a story surrounding “The Way I Tend to Be.” “I don’t know if you guys know this,” Turner explained, “but koalas can only eat eucalyptis, and it gets them high – kind of like if a person could only eat hash cookies. Anyway, when I went to Australia I got to hold a koala, and immediately I got a whiff of eucalyptus, and my ex used to only use eucalyptus shampoo, and it inspired some of the lyrics to this song.” Turner then proceeded to give the crowd a huge wink when he sang, ‘And then i catch myself, catching your scent on someone else.’

Turner kicked things off for the night with “I Still Believe,” “The Next Storm,” and “Try This at Home.” Backed by The Sleeping Souls, he explained “We’re like the most jet lagged band on earth right now. We’re going to re-tell the exact same jokes tomorrow at Lollapalooza.” However, as Turner hurled himself headlong into “Recovery,” “The Road,” and “Long Live the Queen,” it was pretty clear that a jet lagged Frank Turner still has far more energy than the average person after 10 hours of sleep.

Segueing into “Opening Act of Spring,” Turner told us that we were about to encounter “the easiest sing-along in rock n’ roll.” He told us to hold a single note when he held up the neck of his guitar, and then drop it when he lowered it. The crowd complied. Turner joked, “Okay. That’s fine Chicago. If you want to go home to your children tonight, look them in the eye, and tell them ‘yeah, we were a four out of ten crowd’ then that’s fine.” The crowd upped the volume about ten fold. “You guys were sharp,” Turner deadpanned.

Moving into “Photosynthesis,” Turner told the crowd “Jesus, you guys need to move. It’s like a high school disco in here.” The real dancing came though when Turner told us that it was just about his bedtime, especially since he was going to play another show in about 12 hours, but that he was going to send us off in style. Launching into “Four Simple Words,” Turner crooned and mooned for the crowd as he pirouetted and hammed it up for the slow and languorous first minute of the ballad until all of a sudden bursting into a pinwheel of motion, yelling that he wanted “lust and a love and a smattering of romance!” Don’t we all. That and a ticket to Frank Turner’s next show.

Song Of The Day: S U R V I V E – A.H.B.

Posted on
28 Jul 2016
by
Paul

a0993463645_16

Austin-based synth band S U R V I V E make music that hearkens back in some ways to the works of Tangerine Dream or John Capenter – spacey grooves that seem tailor made to be the soundtrack to some film from the ’80s. So it’s not much of a surprise that members of S U R V I V E are responsible for the soundtrack to currently buzzed about Netflix series Stranger Things. Here’s hoping that buzz carries over to their upcoming album RR7349.

Have a listen to “A.H.B.” off of that album, out on September 30 on Relapse Records.

Concert Review: Ajinai, JOOJ, July 26, Silver Dollar

Posted on
27 Jul 2016
by
Paul

IMG_20160726_223456

With their incorporation of traditional Mongolian sounds and instruments into a more typical rock band configuration, Beijing band Ajinai blend the traditional and the modern. The band is currently wrapping up a Canadian tour that has taken them to the Vancouver Folk Festival and Guelph’s Hillside Festival as a part of something called “the 2015-2016 China-Canada Year of People-to-People and Cultural Exchanges.” I’ve never heard of that before, but I’m all for it if said cultural exchanges can bring us something as enjoyable as Ajinai’s set at the Silver Dollar.

Following an impressive opening set by JOOJ, Sook-Yin Lee and Adam Litovitz’s minimal electro torch song project, Ajinai took to the stage, opening things up with an instrumental number that locked into a bit of a post-rock groove. As they progressed through their set, they introduced more and more traditional sounds and instruments into the mix, including the morin khuur and some throat singing, but also took the time to throw a bit of ska and some blues influence in there as well.

Perhaps inspired by their recent visit to Hillside, which likes to throw their performers into jammy workshops with other acts that they’ve often just met, Ajinai closed things out by inviting Sook-Yin Lee up to jam with them. I’m pretty sure that meets the criteria for a successful cultural exchange right there.

Song of the Day: Shura – Nothing’s Real

Posted on
19 Jul 2016
by
Ricky

shura

Back when I first saw Shura at SXSW in 2015, I mentioned she was an artist of the cusp. Little did I know it would take another full twelve months before she delivered her debut LP. Here we are, in July 2016 and Shura has finally released her highly anticipated debut record Nothing’s Real.

I’m not sure if the record album’s visual pays homage to a certain 80’s music video or not, but it’s fairly fitting. Nothing’s Real is sun-drenched ode to the classic pop tracks of my youth. A perfect example of this is the title track. Makes me wanna chew bubble gum and rollerblade down a boardwalk.

Check it out.

Concert Review: Noel Gallagher’s High Flying Birds, July 10, Echo Beach

Posted on
11 Jul 2016
by
Paul

IMG_20160710_203412

Noel Gallagher has never been one to shy away from saying whatever’s on his mind, often to humorous effect (his description of Jack White as “Zorro on doughnuts,” while mean, still makes me laugh). It’s something he’s been known for since the early days of Oasis, though his former bandmate and estranged brother Liam displayed somewhat less wit in his recent campaign against his brother on social media that revolves around him dubbing Noel a “potato.” What does that even mean? We may never really know, and since asking Liam himself what he meant would probably only result in him responding with a rude gesture or perhaps another baffling tweet about Russian soccer fans, it’s probably best not to.

Still, the question remains – is Noel Gallagher a potato in any way, shape or form? In the interests of getting to the bottom of this, I realized the only way to know for sure is to see Noel in concert, then spend the same amount of time watching a potato and compare the results. If the potato is as good as or better than Noel Gallagher and his High Flying Birds, then it stands to reason that Noel is, in fact, a potato. #realjournalism

8:57: Over the course of nearly half an hour, Noel played the first five songs of his set, getting things off to a strong start with “Everybody’s On The Run” and “Lock All The Doors” and including the first Oasis song of the night, “Fade Away.” He also told a mosquito to fuck off. In the same amount of time spent watching a potato, it didn’t really do too much. I mean, it’s just a fucking potato, isn’t it?
Advantage: Gallagher, but just barely. While watching the potato, I had at least 5 Oasis songs going through my head.

9:12: Noel and his band, which includes a solid horn section, have just finished playing the first big singalong of the night, “Champagne Supernova,” a nice gesture after he just dedicated “You Know We Can’t Go Back” to Oasis fans everywhere in a not so subtle nod to his thoughts on a reunion. He may have also made the now famous “pouting potato” face right before playing that one. Well played, Noel. Meanwhile, the potato’s still just sitting there doing nothing, with nary a pout in sight.
Advantage: Gallagher

9:26: After finishing up Oasis b-side “D’Yer Wanna Be a Spaceman,” Noel asked if there were any Mexicans in attendance and I wondered for a second if he was going to go into some sort of Donald Trump inspired bit (Are we sure Trump’s not a potato? He seems like a good candidate for potatohood). Luckily, it was just his way of introducing “The Mexican.” He then went on to ask if there were any Scots in the audience, referring to the Scottish as “the Mexicans of Great Britain.” The potato made no such comments and refrained from having semi-private conversations with people up front about their brother being big fans like Noel did. “Is he alive? Is he here? Is he buying merchandise? Then I don’t care.” Potato would never say such things. Potato just is.
Advantage: POTATO

9:49: “We’ve come to the part of the show I like to call the end. Thanks for coming out. Coming oot.” While the Canadian pronunciation jokes are pretty played out (oot) at this point, we’ll forgive that since the 1-2-3 punch of “If I Had A Gun,” “Digsy’s Dinner,” and “The Masterplan” sounded pretty great. Potato: still just a potato.
Advantage: Gallagher

10:00: Noel plays “Wonderwall,” introducing it with all of the modesty we’ve come to expect from him: “This one’s fucking good.” He’s not wrong though. Noel later got in a good line at the expense of a fan up front who apparently collapsed during his set right after they played “AKA… What a Life!” “Did someone just faint at the sheer majesty of that song?” he asked, before telling security to prop him up so he could enjoy the end of the set. Sorry, potato, you can’t really compete with that.
Advantage: Gallagher

Conclusion: Noel Gallagher – probably not a potato. Definitely puts on a good show.

Concert Review: Fear Of Men, July 6, The Garrison

Posted on
8 Jul 2016
by
Paul

IMG_0726 (2)

Fear Of Men‘s debut full length Loom was a strong debut, easily earning a place as one of my favourite releases of 2014 and their latest album Fall Forever looks like a sure bet to also make it onto my list of faves for this year. The new album is an extension of what the Brighton band were doing on Loom both sonically and lyrically, but singer Jessica Weiss has taken a much more direct and personal approach to her songwriting this time around.

In a recent interview with Paper Mag, Weiss described the new album as having “a lot of intense emotional stuff: Intense happiness and intense loss.” It’s an apt description of the moody tone reflected in much of the band’s music – it’s dark, but not quite gloomy and in many ways there’s something uplifting about it that does come across in their live show.

In concert, Weiss has taken to focusing more on just her vocals, spending maybe only about half of her time on stage at The Garrison playing guitar and the rest of the time swaying and gesticulating to the music as she led the band through numbers like “Trauma” and “Island,” bringing a more direct emotional connection to the music.

Page1 Page2 Page3 Page4 Page5

SEARCH

FOLLOW US

Facebook Twitter Flickr Foursquare Rss Inbox

THE PAST

Archives

TAGS

Tags
British Music Embassy (10) Canadian Music Fest (11) canadian music week (20) cmf (10) cmw (42) concert (9) el mocambo (9) fringe (26) Great Lake Swimmers (10) guelph (9) horseshoe tavern (23) hot docs (103) jazz (12) Joel Plaskett (10) jukebox the ghost (15) lee's palace (27) marina and the diamonds (10) Massive Attack (10) mod club (12) NXNE (94) of monsters and men (11) Phoenix (15) play reviews (11) Pulp (11) Roskilde Festival (17) rural alberta advantage (10) sharon van etten (10) suede (12) summerworks (34) SXSW (479) SXSW 2022 (11) SXSW 2024 (11) SXSW Online (18) the antlers (11) the cure (10) the national (10) the xx (11) Tokyo Police Club (9) Toronto (25) toronto fringe (14) Toronto Jazz Festival (55) turf (13) tweeview (10) Video (9) zeus (10)
The Panic Manual

We are a collective of individuals bringing you the latest in concert reviews, indie, britpop, Canadian, twee and all sorts of other music, movies, tv and everything else you like. Follow the manual to live a pleasant and fulfilling life.

All rights reserved