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Song of the Day: Dorio – Everyday Feels Like Tomorrow

Posted on
14 Jun 2025
by
Paul

“Everyday Feels Like Tomorrow” is the latest single from Austin duo Dorio, taken off their upcoming album Super Love 3, out June 20 on Earth Libraries. Check it out.

Song of the Day: Robbie Williams – Rocket

Posted on
13 Jun 2025
by
Paul

When I clicked on the video for Robbie Williams‘ latest single “Rocket” (off his upcoming new album BRITPOP) and saw Tony Iommi ripping a guitar solo, it was a bit unexpected, to say the least. Sure, Robbie’s flirted with rock throughout his career and he is all decked out in punk rocker cosplay in the video, but a collaboration with the legendary Black Sabbath guitarist does certainly come as a bit of a surprise.

Then again, no one really expected Robbie to make a CGI monkey biopic covering his rise to fame, so I suppose nothing’s all that surprising with him anymore.

Song of the Day: The Beach Boys – Surf’s Up

Posted on
12 Jun 2025
by
Paul

While the late Brian Wilson’s lasting legacy will surely be the absolute perfection that is 1966’s Pet Sounds, there are obviously so many more gems in The Beach Boys’ discography, from their early hits to the post-Pet Sounds albums such as Friends, 20/20, and Holland that continued on with the sonic adventurousness of that landmark album. So today, in his memory, we turn our attention to a song from one of their classic ’70s albums, the title track off 1971’s Surf’s Up.

RIP Brian Wilson.

Song of the Day: Karma Glider – Wait for You

Posted on
11 Jun 2025
by
Paul

“Wait for You” is the latest single from Montreal indie rockers Karma Glider, taken off their upcoming debut full length, the excellently titled From the Haze of a Revved Up Youth. Check out the video for “Wait for You” below.

From the Haze of a Revved Up Youth is out July 11 via Mothland.

Concert Review: Dragged Into Sunlight, June 9, Lee’s Palace

Posted on
10 Jun 2025
by
Paul

While there may be all sorts of wonderfully poetic language one could use to describe the sound of a band, sometimes it’s best to keep it simple and straightforward. So in that spirit, let me just say that the sounds emitted by Dragged Into Sunlight at Lee’s Palace on Monday night could best be summed up in one simple word – heavy. Utterly, crushingly heavy. 

Following a lengthy introductory soundscape that sounded like a dark extended remix of the THX Deep Note, the band took to the stage to begin their set. In concert, Dragged Into Sunlight do things a little differently than most. Eschewing the typical tropes of a live performance, they started out their set with backs turned and stage lights dimmed, the stage decorated with some heavily antlered deer heads atop the stacks of amps and a massive candelabra front and centre to draw the audience’s attention.

Their backs would remain turned to the crowd for the duration of their set to maintain a certain aura onstage. Because it’s not about them, it’s about the music. No stage banter either, of course – just the sound of old movie samples between songs if you wanted to hear a regular human voice. I’d also heard that they used to wear balaclavas onstage to help keep thing mysterious but I guess they ditched that gimmick. Probably gets too sweaty on stage. Cheaper laundry bills while on the road too, I’d imagine. 

When you call yourselves Dragged Into Sunlight, it implies a certain intensity, like some shadow dweller being forced into the harsh light of day, kicking and screaming all the way. And well, there was screaming, both in the form of vocalist T’s intense performance and. to a lesser extent, in the form of the occasional “Woo!” from the crowd. But let’s be honest – this isn’t a band you typically “woo” at. This is a band that’s puts on an intense show, with a sound that’s dark, dismal, immersive and, yes, heavy. It’s a vibe for sure, and their unique performance style suits that vibe perfectly.

As I’ve said, ‘heavy’ is really the only word needed to describe this band and they did indeed keep things suitably heavy over the course of their roughly one hour long set. And frankly, I wouldn’t have it any other way. I am quite glad, however, that I remembered to bring earplugs.

Concert Review: Prostitute, Shiv and the Carvers, Sam Jr, The Royal Family, June 7, Do West Fest (Transmit Stage)

Posted on
9 Jun 2025
by
Paul

This past weekend saw the latest edition of Do West Fest take over several blocks along Dundas Street West for a street party full of food trucks, local vendors, and plenty of music. As in past years, a slew of musical acts, mostly local, played throughout the weekend across various stages. And on Saturday evening, the main stage, curated by Transmit Presents, saw some great performances from the likes of Prostitute, Shiv and the Carvers, Sam Jr and The Royal Family. 

The evening started off for me with the trippy sounds of The Royal Family. The six-piece Toronto group (made up of members of Possum, ROY, Hieronymus Harry, The John Denver Airport Conspiracy, and Wine Lips) impressed with their ’60s-inspired mellow psych rock jams, occasionally tinged with country/folk vibes. At times, they brought to mind a cross between The Velvet Underground and The Grateful Dead. They finished off with a new song (well, they were all new to me) – a little number called “Dreaming” that did indeed have a rather dreamy vibe.

Following The Royal Family, locals Sam Jr. kept it psych, but with a decidedly heavier, more fuzzed out sound that really kind of blew me away. It wasn’t all heavy all the time however, with the band switching gears for their last song to bust out a beautiful and moody cover of Skeeter Davis’s “The End of the World.” It made for a nice contrast to the distortion and volume that came before.

Next up: a blast of pure punk rock from Shiv and the Carvers, who made the strategic decision to announce their band name at the end of every song. A wise choice – good self-promotion is important at a show where plenty of random passersby might catch their set and wonder, “Hey, who is this group that’s laying down some fun, heavy, melodic punk?” Shiv and the Carvers, that’s who. I wasn’t necessarily expecting to hear them play a song referencing S&M at a free outdoor street fest, but then again, it’s not every outdoor street fest that culminates with performances from bands named Prostitute and Fucked Up.

And though a prior engagement would mean that I’d have to miss Fucked Up’s headlining set (too bad – they’re always great live), I did manage to catch the first few songs from Prostitute and they absolutely did not disappoint. The Dearborn, Michigan-based band put on an intense and passionate set of heavy post-punk that was hard to ignore. Their energy and raw sound capped off an eclectic and entertaining night of music, thus proving that Do West Fest (and Transmit) still knows how to throw a solid block party.

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