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Concert Review: Of Monsters and Men, December 5, History

Posted on
6 Dec 2025
by
Paul

On Friday night, Of Monsters and Men took to the stage at Toronto’s History for the second time in less than two months, poetically ending off their current tour in the same place where they began it.

But that’s not how they planned it.

Initially, the Icelandic indie-folk band were meant to play just one Toronto show back in October, shortly after the release of their fourth studio album, All Is Love and Pain in the Mouse Parade, but fate had other plans. That show ended up taking a very unexpected turn when most of the band took to the stage to announce that guitarist and co-lead vocalist Nanna Bryndís Hilmarsdóttir had lost her voice and would not be able to perform. They followed up that announcement with a promise that they’d be back soon and a brief four song set as a sort of consolation prize for the fans.

With her voice back at full power, Hilmarsdóttir greeted the crowd as they took to the stage. “We’re Of Monsters and Men. We’re so very, very, very happy to be here now. Sorry we’re late to the party,” she said, though she promised it was going to be a good party. And based on the crowd’s reaction, I’d say that the audience agreed.

At that truncated October show, singer/guitarist Ragnar Þórhallsson jokingly said that the show could kind of work without him, but that it really doesn’t work without Nanna. Truth be told, it did kind of work on that occasion, at least for the four songs they ended up playing, though a full set may have been a bit harder to pull off. And as Hilmarsdóttir herself pointed out, we did get a very special show that no one had ever seen before, as that night was the first ever time they had played a show without her. So we’ve got that going for us. 

Still, it was great to see the band at full force, and they delivered an entertaining set that saw them playing most of the new album along with a selection of tunes from throughout their career. Highlights off the new album included “Tuna in a Can”, “Television Love” and “Styrofoam Cathedral” while classics like “King and Lionheart” and “Little Talks” got the biggest reactions from the crowd.

While Of Monsters and Men may have begun this tour with what Hilmarsdóttir referred to as “a very traumatic start,” Friday night’s show was a triumphant return for the band and a fitting finale to their North American tour.

Song of the Day: Voxtrot – Fighting Back

Posted on
2 Dec 2025
by
Paul

Though they’ve been a going concern again for a while now, releasing a handful of singles since reuniting back in 2022, today sees the announcement of Voxtrot’s first full-length album since their 2007 debut album. That album, Dreamers in Exile, is due out February 27 via Cult Hero Records and the Austin band will be heading out on the road shortly thereafter for a tour that sees them hitting Toronto’s Great Hall on April 6.

Check out the video below for Voxtrot’s latest single “Fighting Back.”

Song of the Day: Ladytron – Kingdom Undersea

Posted on
27 Nov 2025
by
Paul

“Kingdom Undersea” is the latest single from Ladytron, taken off their upcoming eighth studio album Paradises, out March 20, 2026 via Nettwerk. Check it out.

Song of the Day: Ken Pomeroy – Flannel Cowboy

Posted on
18 Nov 2025
by
Paul

Oklahoma singer-songwriter Ken Pomeroy released her second album Cruel Joke back in May of this year and more recently made her acting debut with a role in Sterlin Harjo’s latest show, The Lowdown. The pair’s collaboration continues with Pomeroy’s latest video, a live recording of the Cruel Joke track “Flannel Cowboy” directed by Harjo. Check it out.

Cruel Joke is out now via Rounder Records.

Album Review: Yoo II avec Nolan Potter (2025, Mothland)

Posted on
17 Nov 2025
by
Paul

Photo Credit: Rose Cormier

Yoo Doo Right and Population II are two of the best, most consistently watchable live bands I’ve discovered over the past few years. Both are incredible live acts who just happen to be from Montreal and, what’s more, they also happen to be affilliated with the same record label/management – Mothland. And now, in a move that brings to mind an old peanut butter cup slogan (“Two great tastes that taste great together“), these two titans of psych rock have joined forces for an album alongside Austin musician Nolan Potter for the aptly named Yoo II avec Nolan Potter.

Spanning five tracks of sprawling, epic psych rock that takes influence from krautrock, free jazz, and noise, the cleverly-named Yoo II put on an impressive display for their debut collaborative album, recorded while they were all in Austin during SXSW 2025. Opening track “Cavalier (We’re Going Down)” locks into a groove and never lets up over the course of its nearly 12 minute run time while the more compact “Golfe du Mexique” takes things in a mellower, flute-heavy direction.

Centrepiece track “Ralliement” starts out as a bit of a slow burn before morphing into something a tad noisier midway through, while “La Perla” shifts things into slightly funkier territory. Finally, “Z. (The Alley Watcher)” closes things out with some nice exploratory vibes. If you’re a fan of any of the three acts involved or just a fan of trippy jams in general, Yoo II avec Nolan Potter is definitely well worth your time.

Song of the Day: Bill Callahan – The Man I’m Supposed To Be

Posted on
16 Nov 2025
by
Paul

“The Man I’m Supposed To Be” is the latest single from Bill Callahan, taken off his upcoming eighth studio album, My Days of 58, out February 27th, 2026 via Drag City. Check it out.

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