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Song of the Day: Glass Beams – Mahal (Glastonbury 2025)

Posted on
2 Jul 2025
by
Paul

This past weekend saw plenty of great performances at this year’s Glastonbury Festival and for those of us who weren’t lucky enough to be there in person, the BBC has made plenty of videos available on their YouTube page. I personally enjoyed living vicariously through these videos as I watched from the far less muddy and far more comfortable confines of my couch at home.

And while some of the highlights came from established acts such as Franz Ferdinand, Wolf Alice, Japanese Breakfast and Olivia Rodrigo’s surprise collaboration with Robert Smith, we’ll shine the spotlight today on one of the acts that was new to me amongst the performers at this year’s fest – Melbourne’s Glass Beams. Check out the video for their live performance of “Mahal” below.

Concert Review: Devo, June 30, History

Posted on
1 Jul 2025
by
Paul

On Monday night, Devo took to the stage at History as part of their 50 Years of De-Evolution… continued! tour, playing a set full of hits from throughout their career for a packed house full of spuds young and old. Well, probably mostly old.

The band took the stage around 8:15, launching straight into a tightly packed set that wrapped up just after 9:30. No openers, no downtime – just a whole lot of Devo straight out the gate.

Well, ok, not a whole lot – while it was a solid set, it did seem maybe a tad too short, especially with no opening act. But honestly? I’m OK with that. These guys are in their 70s, and they still pulled off multiple costume changes, a full visual production, and a setlist that hit pretty much every note you’d want. “Whip It,” “Girl U Want,” “Uncontrollable Urge,” “Jocko Homo,” “(I Can’t Get No) Satisfaction” – all present and accounted for. Even newer tracks like “Don’t Shoot (I’m a Man)” sounded like classics. All in all, a very satisfying set from a legendary group. And everyone still got to be in bed before 11:00 if they wanted. Not bad.

Song of the Day: Atsuko Chiba – Pope’s Cocaine

Posted on
29 Jun 2025
by
Paul

“Pope’s Cocaine” is the latest single from Montreal’s Atsuko Chiba, out now via Mothland. Check it out.

Song of the Day: Wednesday – Wound Up Here (By Holdin On)

Posted on
28 Jun 2025
by
Paul

“Wound Up Here (By Holdin On)” is the latest single from Wednesday, taken off the band’s upcoming album Bleeds, out September 19, 2025 via Dead Oceans. Check it out.

Film Review: Every Time You Lose Your Mind (Ken Andrews, 2025)

Posted on
27 Jun 2025
by
Paul

The talking head interview is a fairly common trope in music docs. And Everytime You Lose Your Mind: A Film About Failure is no exception, featuring plenty of talking heads speaking on the music of its subjects, ’90s alternative rockers Failure, from the band themselves and their musical contemporaries (Butch Vig, Steve Albini, Tool’s Maynard James Keenan) to those who took inspiration from Failure’s sound (Hayley Williams of Paramore, Brian Aubert of Silversun Pickups) to a few more unexpected appearances (Margaret Cho? Sure, why not?) and even the inevitable appearance of Rick Beato, who manages to throw out a hilariously self-important sounding soundbite that begins with the line, “As a listener with a master’s degree in music …”

Also making appearances are Jason Schwartzman, David Dastmalchian and Melissa Auf Der Mar, among several others. And while that’s a wide ranging cast of characters, all of them speak in general of a common theme – the impressiveness of the band’s sound, both from a compositional and a production standpoint. As someone who never really delved too deeply into Failure’s discography beyond 1996’s Fantastic Planet, it was a bit of an eye opener to hear some of these details, particularly the moments when the members of the band themselves speak on the influence of The Cure on some of their earliest work. I hadn’t thought of it before, but strip away some of the other window dressing and yeah, The Cure influence is definitely apparent.

While the film exists primarily to celebrate Failure, it does go a bit deeper than just being a puff piece on the band, shining a spotlight on some of the turmoil that led to their 1997 breakup before their eventual reunion years later. Chief among these is Greg Edwards’ struggle with drug abuse and addiction that was a key reason for them breaking up in the first place. To its credit, the film doesn’t shy away from examining these darker parts of Failure’s story, especially notable since director Ken Andrews is actually in the band.

If I’m being honest, for the longest time I thought of Failure as nothing more than a footnote in rock history. Sure, I’d heard “Stuck On You” back in the day, and a few of their other songs, but at the time, I kind of wrote them off as a band I didn’t really need to look into much deeper – after all, Hum pretty much filled my needs as far as heavy, distorted shoegaze and metal-adjacent alt-rock sounds went. I’ve since come around a bit on Failure and can see the obvious inspiration they’ve had on the next generation of musicians, with the band’s legacy now firmly established as cult heroes for a certain segment of music fans. Everytime You Lose Your Mind delves into that legacy and while it is, true to its title, a film about Failure, it’s also a success story of sorts.

Concert Review: Colleen Green, Rozwell Kid, Pony, June 22, Sound Garage

Posted on
23 Jun 2025
by
Paul

“Are you hot? Same.”

So said Pony‘s Sam Bielanski at the start of their set opening for Colleen Green and Rozwell Kid at Sound Garage and, no, she wasn’t commenting on the general attractiveness of either the crowd or herself but on the temperature. Yes, it was hot in Toronto, and it didn’t help things that Sound Garage did not have any air conditioning They did have plenty of massive fans around the venue to help cool things off, but the lack of A.C. still made for a hot and sticky show. I guess I should have expected as much going to a place with “garage” in the name.

Bielanski commented further on how our current heat wave affected not just the venue, but their journey there beforehand, noting that the band just got a “new old” van, one without a working A.C. unit, so she and her bandmates now have a “trauma bond” that they didn’t have before. Still, if the heat was affecting them, they didn’t let it show too much, putting on a fairly high energy show despite the temperature. Bielanski also mentioned how personally excited she was to see Colleen Green later that evening, referring to Green as her own personal GOAT.

Following Pony, West Virginia’s Rozwell Kid took to the stage and impressed with a tight set of chunky indie rock tunes that brought to mind Weezer and Fountains of Wayne. As their set neared its end, vocalist Jordan Hudkins remarked that he was sad to be wrapping up – something he probably says at most shows – but then quickly added that it was hot and his foot hurt, so maybe he wasn’t that sad. Either way, this wouldn’t be the last we’d see of them.

Finally, we came to the main event of this very hot evening as Colleen Green took to the stage backed by her carefully assembled crack team of rock ‘n’ roll commandos – aka the members of Rozwell Kid – to run through a performance of her 2015 album I Want To Grow Up. It’s probably safe to say that, 10 years later, Colleen Green has indeed grown up. That much was made clear with a glance at some of the merch on sale that read, “I Want to Get Old” – once you’ve grown up, I suppose getting old is the next natural step.

Clad in a black dress, matching blazer, and her trademark sunglasses, Green looked like she’d just stepped off the set of Men in Black; Indie Rock Edition. With a birthday party hat completing the ensemble for that additional touch of whimsy, of course. The hat wasn’t just for show either, as she kicked off her set by asking the crowd if they were ready to party. As in, a birthday party celebrating I Want to Grow Up hitting the Big One-Oh. Clearly, this was a crowd that was ready to celebrate, heat wave be damned. Was it hot, sweaty, and a little uncomfortable? Yes, but it was also a great show – sometimes you’ve got to suffer a little bit for rock ‘n’ roll.

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