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Roskilde Festival Review: Joshua Idehen, July 1

Posted on
6 Jul 2026
by
Paul

While Denmark’s Roskilde Festival is primarily known for its diverse and forward-thinking lineup of musical acts, the festival’s commitment to challenging its audiences goes beyond just the music programming. Roskilde also has a strong commitment to activism, operating as a non-profit organization and donating to worthy causes each year.

The festival’s commitment to activism goes even further though. Beyond its efforts to foster a welcoming and inclusive environment for all, the festival also curates a robust arts programme, with plenty of unique installations, visual arts (there’s a heavy graffiti presence), and performance art pieces throughout the festival grounds

That commitment to activism through art also does shine through in the musical programming too, with plenty of artists using their platform to make a statement of some sort and several others making music that in itself is explicitly political.

One such artist was Joshua Idehen, who started out the festival proper for me after an afternoon checking out some of the art. On a day that also featured great performances from the likes of Wolf Alice, The Cure, and Annie & the Caldwells, Joshua Idehen’s set was easily the standout. And as he started out the day’s programming on the Gloria Stage, I couldn’t help but think how perfectly his music suited the general Roskilde vibe, often referred to as the “Orange Feeling” by longtime attendees.

His song “This Is the Place” features a sample of a woman speaking on the importance of people getting together and having a good time: “I think it’s all about the rhythm, and the love.” That’s Roskilde in a nutshell – rhythm and love. With other highlights of his show including the clever “Mum Does The Washing” and the powerful “All You Can Do Is Try,” Idehen got Roskilde 2026 off to a perfect start. So much positivity. So much joy.

Concert Review: Lande Hekt, June 20, Cameron House

Posted on
23 Jun 2026
by
Paul

Early on in her Saturday night set at The Cameron House, UK-based indie singer-songwriter Lande Hekt addressed the crowd, noting that she was enjoying her time in Toronto before going on to ask that people not talk too much during her show.

Aside from the fact that it’s not great concert etiquette to talk during a more stripped-down solo set, she explained that it’s also a bit of a distraction for her, as she tends to want to listen in on whatever people are talking about and then forgets the words to her songs. She added that there’s plenty of places around the city where everyone is talking all the time, so they could just go there instead. This was all said, of course, in the nicest, most polite way possible.

Hekt was in town for the first show of a very brief two-date Canadian tour in support of her latest release, Lucky Now, with the other date happening the following night in Montreal. And though she may not have been playing many shows, it sounded like she took the opportunity to turn it into a mini-vacation of sorts as well, even finding a connection to her own home while across the pond.

Hekt mentioned that she had recently moved to the town of Scarborough back home in England and was delighted to learn there was a Scarborough in the Toronto area as well. The observation prompted one audience member to tell her not to bother going, but it sounded like she was determined to make the pilgrimage regardless.

She also gave a shout-out to another Ontario city while giving a bit of a sales pitch for the merch table. Explaining that the t-shirts had been printed in Kitchener, Hekt urged the audience to buy them because she simply didn’t have room in her luggage to take them home, especially since she also had to bring back stereotypically Canadian souvenirs for friends and family. Little bottles of maple syrup shaped like maple leaves were singled out as a particular burden. When one audience member shouted, “It’s a rip off!” Hekt immediately agreed. “I know. But promises were made.”

Of course, she wasn’t just here to buy novelty bottles of syrup and visit the hometown of Mike Myers. No, she was here to play, and she put on an impressive and intimate show, with songs like “Lucky Now” and “A Million Broken Hearts” standing out as highlights. She introduced the latter as one of the few overtly political songs she’s written in recent years, describing it as being about “trying to rid our country of fascism.”

Keeping things seasonally appropriate, Hekt also performed “Rabbits,” a song inspired by the summer solstice. The introduction included a story about travelling alone to Glastonbury Tor to mark the occasion, only to find herself surrounded by dancing hippies celebrating the longest day of the year. An unusual experience for sure, but hey, she got a cool story to tell out of it, not to mention a pretty spiffy song to boot.

In a city full of places where everyone is talking all the time, Hekt gave the Cameron House audience a reason to listen with a thoughtful, charming, and captivating performance. Hopefully she sold a few t-shirts, too – after all, she’s got to make room for all that maple syrup.

Song of the Day: Tugboat Captain – Reliance

Posted on
19 Jun 2026
by
Paul

London’s Tugboat Captain first caught our attention back in 2020 when they were initially booked to play that year’s SXSW – also known as the SouthBy that never was, after COVID-19 cancelled, well … pretty much everything that year. And though they never did end up playing any future editions of SXSW, they still made an impression back then with their baroque indie-pop sound.

Today sees the release of the band’s latest single, the seven minute long “Reliance,” taken off their upcoming album All At Once. WIth heartfelt vocals over an old-school synth line, the song tracks the bitter end of a relationship, with the band describing it as “a song about pain, loss and dependence.” Check it out.

Song of the Day: CorMae – ADHD

Posted on
16 Jun 2026
by
Paul

“ADHD” is the latest single from Austin punks CorMae, taken off their brand-new release Everything is SO GREAT! Check it out.

Song of the Day: Thao – Fossils

Posted on
15 Jun 2026
by
Paul

With its funky, rubbery bassline, Thao‘s “Fossils” is a grabber from the get-go. And once Thao Nguyen’s vocals kick in, she’ll have you hooked for the remainder of the song’s 4:04 runtime. Produced by Merrill Garbus and Nate Brenner of Tune-Yards, the single (Thao’s first new music since 2020’s Temple) is out now via Kill Rock Stars.

Check out the video for “Fossils” below.

Song of the Day: American Aquarium – History Repeats Itself (Live From Echo Mountain)

Posted on
14 Jun 2026
by
Paul

Photo Credit: Samantha Kniskern

“History Repeats Itself” is the lead single from American Aquarium’s upcoming album New Ways to Lose, due out June 26th via Losing Side Records/Thirty Tigers.

At its heart. it’s a protest song, with frontman BJ Barham looking at the state of the world today and essentially saying, “No thanks.” The final verse stands out in particular as a bit of a call to action:

I refuse to believe this is who we are
And I won’t sit back and let it fall apart
You’re either saying ok or absolutely not
You’re either giving up or giving it all you got

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