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SXSW Film Review: 299 Queen Street West (Sean Menard, 2023)

Posted on
24 Mar 2023
by
Ricky

299QueenStreetWest

If you were to ask me for the perfect documentary that captures what it was like to listen to music while growing up in Canada, 299 Queen Street West would be it. I’m very happy that this film exists because I can now watch it every five or ten years and remember what it was like when I was young.

For the uninitiated, 299 Queen Street West chronicles the story of MuchMusic, a DIY startup 24 hour music channel that was an extremely large part of the lives of everyone who grew up in Canada in the ’80s and ’90s. If you are not Canadian, however, this documentary is still for you as the film also chronicles the changing landscape of music on several fronts, from the medium through which it was delivered (music videos to streaming) to the genres that took turns dominating the landscape over the course of 30 years.

The story is told purely through archival clips, featuring the voices of many of the players that defined the MuchMusic era including Erica Ehm, Steve Anthony, Master T, Rick the Temp, and Strombo among others. I really appreciated this approach (vs visual talking head) as it really let the film focus in on clips of the past. I was not in Canada when MuchMusic first started, but it was interesting to see how the channel grew from its initial conception to it taking over the building at 299 Queen Street west. For me, the nostalgia kicked in with clips from Electric Circus, The Wedge, Intimate and Interactive and footage of all the VJ’s.

At almost two hours the film provides just the right amount of time to relive all those memories and as the film draws to a conclusion, we start to see the demise of MuchMusic and it’s eventual transformation into what it is today, which is garbage. Still, the story of MuchMusic as captured in this film will bring up a lot of fond memories and joy for those who lived through it while also capturing a very important moment in time for the world of music as a whole.

I believe this film will be streaming on Crave at some point, which is quite ironic in itself.

PrevPreviousSXSW Review: Voxtrot, March 16, Stubb’s
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