Album Review: Feeder -Torpedo (2022, Big Teeth)

Skip to content

Home
About Us
- Derek
- Gary
- Halley/Celeste
- Paul
- Ricky
- Vik
Concerts
Reviews
- Albums
- Venue
- Movies
- Year End Reviews
Festivals
Contact Us

Menu

Home
About Us
- Derek
- Gary
- Halley/Celeste
- Paul
- Ricky
- Vik
Concerts
Reviews
- Albums
- Venue
- Movies
- Year End Reviews
Festivals
Contact Us

Album Review: Feeder -Torpedo (2022, Big Teeth)

Posted on

26 Aug 2022

by

Gary

I had heard of, but never heard Feeder. Even though they have been around for a few years, their latest album, Torpedo, released back in March from their pandemic backlog material, is the first to reach my ears.

The duo gets right to the point from the get go on this album full of redemptive intentions. Opener “The Healing” calls for people to unite and work towards a better state of affairs. But to be honest, it could have been lifted out of Al Gore’s mouth and flash frozen back in 2002. It is about as effective a Demolition Man as Stallone was – surprisingly fresh every 25 years. While I recognize the sentiments and any urgent attention is good attention, when the message is wrapped in the sugary lyrics, it is a bit much, especially in the midst of a pandemic. Especially given we had, over these decades, torpedoed repeated plans to tackle actual contributors of the clusterfuck we find ourselves in like climate catastrophe, habitat destruction, etc. A call-to-arms from the backdrop of international tours within the resource sapping frenzy of pop concerts seem a somewhat cynical route for promoting unity.

Maybe I misunderstand the entire perspective. (Power) grunge has always been a mystery to me: how can hyper-charged guitar riffs be a good medium for anything else but a call for triple -scripts of Adderall? Where is the dynamic potential for a range of expressions, when one is already flying in the stratosphere? Every twist and turn seems the same high altitude bank in a 747: however unexpected, always stately and safely within the parameters of a commercial jet flying predetermined waypoints. I do think “Decompress” and “Slow Strings” deserve mention, not because they are quieter, but because they are intentional and purposeful. The lyrics don’t improve much in interpretive depth, however.

To summarize: a blast from the past isn’t a bad thing. But I would leave this for the special occasion when I’ve run out of every other guilty pleasures that I could resonate with.

PrevPreviousSong of the Day: Gordi -Way I Go

NextSong Of The Day: Caitlin Rose – Black ObsidianNext

SEARCH

Search for:

THE PAST

Tags

British Music Embassy (10) Canadian Music Fest (11) canadian music week (20) cmf (10) cmw (42) concert (9) el mocambo (9) fringe (26) Great Lake Swimmers (10) guelph (9) horseshoe tavern (23) hot docs (103) jazz (12) Joel Plaskett (10) jukebox the ghost (15) lee's palace (27) marina and the diamonds (10) Massive Attack (10) mod club (12) NXNE (94) of monsters and men (11) Phoenix (15) play reviews (11) Pulp (11) Roskilde Festival (16) rural alberta advantage (10) sharon van etten (10) suede (12) summerworks (34) SXSW (479) SXSW 2022 (11) SXSW 2024 (11) SXSW Online (18) the antlers (11) the cure (9) the national (10) the xx (11) Tokyo Police Club (9) Toronto (25) toronto fringe (14) Toronto Jazz Festival (55) turf (13) tweeview (10) Video (9) zeus (10)

We are a collective of individuals bringing you the latest in concert reviews, indie, britpop, Canadian, twee and all sorts of other music, movies, tv and everything else you like. Follow the manual to live a pleasant and fulfilling life.