Skip to content
  • Home
  • About Us
    • Derek
    • Gary
    • Halley/Celeste
    • Paul
    • Ricky
    • Vik
  • Concerts
  • Reviews
    • Albums
    • Venue
    • Movies
    • Year End Reviews
  • Festivals
    • Canadian Music Week
    • Hot Docs
    • North By Northeast
    • Planet in Focus
    • Primavera
    • South By Southwest
  • Contact Us
Menu
  • Home
  • About Us
    • Derek
    • Gary
    • Halley/Celeste
    • Paul
    • Ricky
    • Vik
  • Concerts
  • Reviews
    • Albums
    • Venue
    • Movies
    • Year End Reviews
  • Festivals
    • Canadian Music Week
    • Hot Docs
    • North By Northeast
    • Planet in Focus
    • Primavera
    • South By Southwest
  • Contact Us

Concert Review: Professor Andy Dolgin and the Cereal Killers, Kapali Carsi, August 2, Dundas Video

Posted on
4 Aug 2016
by
Paul

IMG_0741

Track Could Bend, the monthly series happening on the first Tuesday of each month and focused on bringing together musicians from various genres and disciplines for largely improvised sets, is always an interesting time, since you never know exactly what surprises may be in store for you. This evening was no different, with uniquely weird and satisfying sets from Kapali Carsi and Professor Andy Dolgin and the Cereal Killers.

Emerging from the basement in his homemade suit of cereal box armour, Dolgin joined his band for a set mixing noise jazz and hardcore punk with snippets of breakfast cereal jingles, Saturday morning cartoon themes and other half remembered detritus of childhood pop culture past (“What’s Your Thing” and “I’m Just A TV,” just to name a few) chewed up, spit out, and filtered through the lens of a bad trip. Dolgin even brought a tuba to the venue with him, then totally didn’t even bother to use it. That’s dedication to your craft. I think. Is Andy Dolgin actually a professor though? Is Andy even his real name? We may never know. Well, I suppose we could just ask him, but who has time for that?

Up next was Kapali Carsi, aka Kevin Hainey, who followed up the wacky spectacle of the Cereal Killers’ set with a performance that was almost an anti-performance. Kneeling with his back turned on the crowd, he focused squarely on his guitar and amp and all of the noises he could wrench from them. It did the trick though, sounding good and weirdly making for the perfect soundtrack to the bacchanalian nude hippy grape stomping scene from John Frankenheimer’s Seconds which was playing out on the screen. Trippy stuff.

PrevPreviousSong of the Day: Japanese Breakfast, In Heaven
NextCover Song of the Day: The Chipmunks – Call Me (Blondie Cover) but slowed down to 16 speedNext

SEARCH

FOLLOW US

Facebook Twitter Flickr Foursquare Rss Inbox

THE PAST

Archives

TAGS

Tags
British Music Embassy (10) Canadian Music Fest (11) canadian music week (19) cmf (10) cmw (41) concert (9) el mocambo (9) fringe (26) Great Lake Swimmers (10) guelph (9) horseshoe tavern (23) hot docs (103) jazz (12) Joel Plaskett (10) jukebox the ghost (15) lee's palace (27) marina and the diamonds (10) Massive Attack (10) mod club (12) NXNE (94) of monsters and men (11) Phoenix (15) play reviews (11) Pulp (11) Roskilde Festival (16) rural alberta advantage (10) sharon van etten (10) suede (12) summerworks (34) SXSW (479) SXSW 2022 (11) SXSW 2024 (11) SXSW Online (18) the antlers (11) the cure (9) the national (10) the xx (11) Tokyo Police Club (9) Toronto (25) toronto fringe (14) Toronto Jazz Festival (55) turf (13) tweeview (10) Video (9) zeus (10)
The Panic Manual

We are a collective of individuals bringing you the latest in concert reviews, indie, britpop, Canadian, twee and all sorts of other music, movies, tv and everything else you like. Follow the manual to live a pleasant and fulfilling life.

All rights reserved