Skip to content
  • Home
  • About Us
    • Derek
    • Gary
    • Halley/Celeste
    • Paul
    • Ricky
    • Vik
  • Concerts
  • Reviews
    • Albums
    • Venue
    • Movies
    • Year End Reviews
  • Festivals
    • Canadian Music Week
    • Hot Docs
    • North By Northeast
    • Planet in Focus
    • Primavera
    • South By Southwest
  • Contact Us
Menu
  • Home
  • About Us
    • Derek
    • Gary
    • Halley/Celeste
    • Paul
    • Ricky
    • Vik
  • Concerts
  • Reviews
    • Albums
    • Venue
    • Movies
    • Year End Reviews
  • Festivals
    • Canadian Music Week
    • Hot Docs
    • North By Northeast
    • Planet in Focus
    • Primavera
    • South By Southwest
  • Contact Us

Concert Review: Santigold, May 16, Kool Haus

Posted on
20 May 2012
by
Ricky

Santigold Panic Manual Concert Review

It’s been awhile since Santigold first emerged to the forefront with her hit singles Say Aha and LES Artistes. Since then she has undergone a name change and provided guest vocals on a host of albums (my favorite being her spot on the NASA record). So it came to my surprise that her new record, Master of My Make Believe was her first album since her debut record. One of my most listened to albums this year, Master of My Make Believe is one of those records that’s impossible to classify as it seems to span across all genres from hip hip to rock. The only classification I would put on it is that it’s damn good.

With new album in tow, the Brooklyn artist played a fantastic show at the Kool Haus. It’s a shame that the show seemed severely under attended as part of the venue was curtained off. Having seen a good part of her show at SXSW, I knew what to expect. Armed with two fantastic dancers and a backing band dressed up like David Bowie, if David Bowie was a mega Tron fan, Santigold gave us a show heavy on aesthetics and visual delights. The show included multiple costume changes, choreographed
dancing and also a freaking horse.

Of course, all the visuals in the world wouldn’t have helped if the music wasn’t good. Santigold’s voice is amazing, it’s got this airiness to it that is hard to describe. The fact that she can sound pitch perfect while dancing is a testament to her talent. The set list consisted of a mix of new and old, both of which the all ages crowd easily enjoyed. People were dancing from beginning to end, even forming dance circles near the side of the stage. It appears new tracks like Disparate Youth and Go! have found their place on people’s playlists alongside the older tracks. My only disappointment was the exclusion of the track I’m a Lady from the set.

There are few artists out there more original than Santigold. Her genre bending music has only gotten better as she continues to find her sound. I would totally recommend checking her out.

PrevPreviousConcert Review: We Are Serenades, May 14, Garrison
NextNXNE Song Of The Day: Chang-A-Lang: Listen Up ButtercupNext

SEARCH

FOLLOW US

Facebook Twitter Flickr Foursquare Rss Inbox

THE PAST

Archives

TAGS

Tags
British Music Embassy (10) Canadian Music Fest (11) canadian music week (20) cmf (10) cmw (42) concert (9) el mocambo (9) fringe (26) Great Lake Swimmers (10) guelph (9) horseshoe tavern (23) hot docs (103) jazz (12) Joel Plaskett (10) jukebox the ghost (15) lee's palace (27) marina and the diamonds (10) Massive Attack (10) mod club (12) NXNE (94) of monsters and men (11) Phoenix (15) play reviews (11) Pulp (11) Roskilde Festival (16) rural alberta advantage (10) sharon van etten (10) suede (12) summerworks (34) SXSW (479) SXSW 2022 (11) SXSW 2024 (11) SXSW Online (18) the antlers (11) the cure (9) the national (10) the xx (11) Tokyo Police Club (9) Toronto (25) toronto fringe (14) Toronto Jazz Festival (55) turf (13) tweeview (10) Video (9) zeus (10)
The Panic Manual

We are a collective of individuals bringing you the latest in concert reviews, indie, britpop, Canadian, twee and all sorts of other music, movies, tv and everything else you like. Follow the manual to live a pleasant and fulfilling life.

All rights reserved