Toronto – You know I really like Bread & Circus. It’s a super laid back place in the heart of Kensington Market and it easily lends itself to intimate musical experiences. It’s been a full year since I’ve last frequented the joint, but I am now going to make an effort to get back there over the summer. While the drink selection isn’t huge, the prices are reasonable, and the staff is friendly.
Thursday evening began at the Circus with Steph Macpherson, a singer-songwriter based out of Vancouver. It was a foot-tapping experience. She played well-constructed folk rock. Everything seemed like it was in the right place. It was tastefully done. I believe I was bobbing my head and tapping my foot in the all the right places. While Steph has a very sweet voice, I wonder what a few extra years of experience on the road combined with a bit of risk-taking might do? I’d be curious to hear the result.
Steph Macpherson plays the Central, March 12, at midnight.
“[Introducing himself and his absentee band] We are The R.G. Morrison. I am R.G. Morrison.”
Next up was The R.G. Morrison. The first thing I noticed about R.G. Morrison was that he had a pronounced U.K. accent; he was decidedly not Canadian. As an aside, this year’s Canadian Music Week line-up seems to have the highest selection of non-Canadian music I’ve seen to date. I’m not sure if this is actual fact, but I expect CMW to focus mostly on Canadian talent, leaving the world-wide stuff to NXNE. Perhaps, there has been a conscious change in artistic direction of the festival? I will try and find this out and report back.
The second thing I noticed is that, while “The R.G. Morrison” sounds like a band name, and is in fact a full band, only front-man R.G. Morrison himself was on stage. He explained to us that his band had been caught up in American customs. Without getting into details, he explained that this show was going to be a solo one, and it would give him a chance to play some solo material that he doesn’t usually play live.
The third thing I noticed is that R.G. has a powerful and emotional voice. Once he got into the groove of the set, I was pulled into his music. It can be amazing what one talented musician can do with just a guitar and a voice. His guitar work was just a touch more complex that the standard singer-songwriter fare, making it a perfect accompaniment to his both nuanced and impressive set of pipes. This was an intimate musical affair and live music at its best.
I can’t pretend to know what the actual band would have sounded like, but I was happy enough seeing R.G. Morrison play an intimate solo act. It was a nice little slice of CMW.
